Land in Grayson County has been farmed by the Cain family for a century. The family’s passion for tending the land continues through its current owner, Sammy Cain.
Story by Allie Schallert, a Senior WKU Photojournalism Major
Presentation of Fleischaker/Green Awards
Western Kentucky University’s School of Media will present the 2022 Fleischaker/Greene Award for Courageous International Reporting on Monday (Nov. 14) to journalists covering the war in Ukraine.
Four-time Pulitzer Prize-winning photojournalist Carol Guzy and Editor-in-chief Olga Rudenko and the staff of the Kyiv Independent in Ukraine have been selected as this year’s recipients of the prestigious award. The awards ceremony will begin at 4 p.m. at the Gary Ransdell Hall Auditorium.
Guzy’s career as a photographer spans more than 40 years, from a staff member at the Miami Herald, to The Washington Post and currently as a contract photographer for Zuma Press. Her current work is documenting the war in Ukraine.
Rudenko and her staff of 32 journalists at the Kyiv Independent have not shied away from telling the stories of their war-torn Ukraine.
Guzy will accept the award by Zoom from Ukraine where she continues to report for Zuma Press. It is not yet determined if Rudenko will be able to join the Zoom presentation.
Arthur Trickett-Wile
Arthur Trickett-Wile a sophomore in WKU Photojournalism program spent summer of 2022 as an intern for the Charlotte Observer in Charlotte, North Carolina. Previously he had spent the summer of 2021 as a freelance photojournalist working for the San Antonio Express News. Here are some of his photographs from this past year.
Gabi Broekema
Gabi Broekema a senior in the WKU Photojournalism program returned to her family’s roots while documenting for six-months on an internship with MLive: Kalamazoo Gazette Branch in Southwest Michigan this past year. Before returning for her final capstone class in the photojournalism program, she is spending a semester abroad with the Danish School of Media and Journalism in Aarhus, Denmark, continuing her studies in photography. Here are a few of her photographs from this past year.
Mid-Semester Critique
Come show 5 of your favorite photos from the semester and critique your classmate’s work!
JRH 127
SLICES: A Look Back At The Way We Were
From the archives of the Louisville Courier-Journal, this collection of 57 images that span six decades, document the seemingly mundane to significant events of our collective past. The Courier-Journal staff created a record of history that became immortalized in the power of photography. As time marches forward, these images freeze a layer of humanity in the click of a shutter revealing to us how much we have changed, and just perhaps, how we have not.
GALLERY HOURS:
M-W: 9:00 am – 9:00 pm
TH-F: 9:00 am – 4:00 pm
The 57 images on display as well as many more can be seen in a book published by Press Syndication Group and can be purchased here.
Readers of the Courier Journal picked up their newspapers on January 5, 1896, and found something they had never seen before. There, splashed across the front of the third section of the newspapers, were photographs – not the lithographs they had come to expect in their paper – honest-to-God, half-tone photos of state-owned buildings around the commonwealth.
That was nine months before the New York Times began running photographs in the pages of its Sunday Magazine and years before either newspaper would put photos on their front pages. Before that, newspapers generally used hand-engraved lithographic prints to illustrate their stories, but the advent of the half-tone printing process, for the first time, began to bring the staid old publications with long columns of gray type to life. It was that page that ushered in a new era for the Courier Journal.
The story that accompanied the Courier Journal’s picture package that Sunday morning, buried at the bottom of the page, was almost certainly included as nothing more than a vehicle to show off the Courier Journal’s new technology – the process of using tiny dots to reproduce photos – that allowed it to bring stories to its readers like never before. The photos hinted at what the Courier Journal would become, with its corps of photographers crisscrossing the state to bring the stories of Kentucky back to its readers in a way writers never could It started with static photos of buildings, nature and mug shots of people that appeared in the third section of the paper – later called the “Half-tone Section” because of its heavy reliance on photos.
As the ability to print photographs faster and with better clarity advanced, so did photography. In years that followed, cameras went from using glass plates, to George Eastman’s roll film that first allowed for photography without a tripod, to finally in 1925, the invention of the 35mm camera. The newspaper eventually introduced color photographs to its Sunday magazine and then in the early 1990s to the newspaper itself.
In the early years, the newspaper’s photography staff wasn’t much to speak of. When reporter William Burke “Skeets” Miller won the Pulitzer Prize for reporting in 1925 after he crawled into Sand Cave in Southern Kentucky to interview trapped cave explorer Floyd Collins,he – and not a photographer – was given a camera to take the photos inside the cave. Over the years, though, the newspaper developed a dedicated photo staff that served both the morning Courier Journal and its sister publication, the afternoon Louisville Times. And with the evolution of cameras came the evolution of the Courier Journal’s great team of photographers. By the mid-1980s that staff had grown to more than 30 photographers, editors and laboratory technicians who were largely based in Louisville but who traveled to all corners of the state and beyond at a moment’s notice to cover everything from political campaigns to mine disasters to floods to life.
For more than 30 years, the staff was led by Billy Davis, the longtime director of photography who was most known for his aerial photography – shot from a series of six airplanes that the Courier Journal owned between 1953 and the mid-1990s, according to C. Thomas Hardin, who succeeded Al Allen in leading the photo staff.
It was in 1953 that Davis, an accomplished pilot who first photographed Louisville from the sky during the 1937 Ohio River flood when he was working for the Chattanooga News, convinced Courier Journal President Barry Bingham Sr., Publisher Mark Ethridge and Vice President Lisle Baker that the photo staff needed an airplane to travel the state and get shots from high above.
“We could get anywhere in the state in less than an hour and a half” former director of photography Hardin said. “It was our bureau in the sky”
Through the 1970s and 1980s, the Courier Journal photography staff either won or helped win three Pulitzer Prizes for the newspaper. The first came in 1976 when it won the award for feature photography for its coverage of forced busing and the integration of Jefferson County’s public schools. The next came four years later when reporter Joel Brinkley and photographer Jay Mather teamed up to win the Pulitzer Prize for international reporting for their stories and images of the refugee crisis unfolding in Cambodia because of the brutal rule of the Khmer Rouge.
And then in 1989, the photography staff shared a Pulitzer Prize with the newspaper’s reporting and editing staffs for their coverage of the Carroll County bus crash. The accident, among the worst in U.S. history, killed 27 people and injured 34 others when drunken driver Larry Mahoney plowed his pickup truck into an old school bus owned by the Radcliff Assembly of God Church that was returning from a youth group trip to Kings Island amusement Park near Cincinnati.
The photographs they and other Courier Journal photographers shot over the years both lift your spirit and break your heart. They tell stories of life and death. They teach us about the famous and the unknown. The extraordinary and the mundane. Many are beautiful in their simplicity, brilliant in their complexity, and they’re all, frankly, just wonderful to look at.
A book like this wouldn’t be complete without Stewart Bowman’s scene-setting photos of the Bluegrass region with the horses and barns and fences and all their iconic beauty. Nor would it seem right to publish this work without Davis aerial shot of the North Fork of the Kentucky River enveloping the city of Hazard and a smaller nearby community during the floods of 1963.
There are photos of young, thin, beautiful Elvis. And there’s an older, jump-suit-wearing Elvis in his decline. Baryshnikov and Beach Boys. Mick Jagger and Elton John. And James Brown. Bill Monroe. Aretha
There is history – like Charles Lindbergh, his darkened face visible in the cockpit of the Spirit of St. Louis parked on the tarmac at Louisville’s Bowman Field. And presidents from Franklin Roosevelt through Donald J. Trump.
Some of the photos are shot in a brief window while others show the incredible access granted the photographers and the painstaking hours of sitting, waiting, for the perfect shot. The perfect moment.
Sadly, many earlier photos you won’t see here were destroyed in the 1937 flood. Still many of the older negatives that survived the flood or were shot in the years shortly after are blistering and lost to time. But so many of the photos live on. And they tell stories. Our stories. The stories of our fathers and mothers. And their fathers and mothers.
Whether it’s a car with its rear end hanging from a chain and a mechanic poised with a steam gun to clean it after a flood, whether it’s people from a protestant church handling snakes in rural Kentucky or the body of a man who leaped to his death from a building in downtown Louisville, the photos do the job that words alone can’t do.
There’s a soldier mourning over a flag-draped coffin in one photo and a soldier – pint of Seagram’s whisky in hand – laying a big celebratory smooch on a woman in another.
Some of the most striking photos, however, are the ones that simply tell a story of everyday life, ones that don’t focus on big, important events or big, important people. They are the ones that don’t complement a story but tell a story all their own. A master of that was Pam Spaulding, who began photographing a young lawyer and his family for a newspaper project in 1977 and continues to photograph the family to this day. The images she made of the McGarvey family – including one with the mother lecturing one son and holding another while the family dog is on the exam table in the veterinarian’s office – could be a scene from any of our lives.
It was the result of painstaking work and hours upon hours of sitting and waiting, and it’s a project like none other in the history of photojournalism
“I used to tell photographers, ‘Don’t go in and feel like you have to entertain. Go in, be nice and be boring,” Hardin said.
Bill Luster’s fabulous shot of grannies – both embarrassed and intrigued – at a Chippendales show at the Toy Tiger Lounge and Hardin’s photo of former Gov. A. B. “Happy” Chandler greeting a voter in the middle of a Western Kentucky street, are both examples of photographers positioning themselves in the right place and waiting for the right time to press the shutter. Many of the photographers in these pages have gone on to work for publications known for their photographs, like National Geographic and LIFE Magazine, while others have spent their entire careers at the Courier Journal. And many of them continue to make incredible images that grace the pages of the Courier Journal today.
Get Ready for CPOY
Look over work to submit for CPOY, give feedback, and hang out! Stop by room 127 to join.
Our 2022 Senior Exhibition
At the end of each school year, we ask our capstone PJ436 students to select one photo that means the most to them from their time here at WKUPJ and to tell us something about the image. We hope you spend some time with the work of these talented alumni, it is no easy feat to earn a degree from WKUPJ.
Brenna Pepke
Memphis, Tennessee | Photojournalism major; Studio Arts BFA
INTERNSHIPS
- Artist Residency Boyd Station, Kentucky
- Creative Director, SHOW&TELL, Kentucky
- Artist Residency Azule, North Carolina
ABOUT THIS PHOTO
As the COVID-19 pandemic lock down was at its’ peak, I was in a studio lighting class. However, without access to campus and therefore the studio, I was forced to experiment with more creative portraits that were created within my own home. Although it was incredibly challenging to be in school during the pandemic, I was able to delve into an un-journalistic portrait series revolving around what I imagine various colors’ personalities might be.
CAPSTONE PROJECT
View Entire Story: http://wkuvjp436.tilda.ws/findinghome
Finding Home: After losing their shared house in the devastating series of tornadoes that swept through the midwest in the winter of 2021, a mother and daughter duo see an opportunity to build separate lives. Facing homelessness, and financial uncertainty both women must continue to provide for their families and redefine their idea of home.
Jordan Matthis
Owensboro, Kentucky | Photojournalism major; Advertising major
INTERNSHIP
- Falling Creek Camp, North Carolina
- Image West, Kentucky
After being sent home from COVID in March of 2020, Jordan Matthis was enrolled in Intro to Studio Lighting in which she was challenged to learn technical lighting skills through weekly zoom classes and photographing herself. This photograph is part of a 5-studio portrait final, where she replicated famous paintings and dedicated a portrait to the 2020 graduates who lost their important chapter of graduation.
ABOUT THIS PHOTO
While being in the pandemic and locked in my house, my creativity and motivation hit a low. While seeing everything diminished and halted by the shutdown, I took it on myself to produce something that is meaningful, impactful, and represents a portion of time of graduation. I find this photograph now to be very sentimental to me as my college career comes to an end and seeing how the world has changed.
In 2019, Jordan Matthis created a series of iconography and photography campaign posters to address and create awareness of the issue of sexual assault towards young adults. Western Kentucky students Hannah Reed and Daniel Garcia volunteered to model for the campaign to showcase that both genders can be affected/silenced by sexual assault.
ABOUT THIS PHOTO
These campaign posters are important to me because it was the first project between my two majors, advertising, and photojournalism, that I could intertwine my technical and creative skillset of photography and studio lighting with my knowledge of strategy and communication to connect to a wide audience over a sensitive topic.
CAPSTONE PROJECT
View Entire Story: http://wkuvjp436.tilda.ws/unconditional
Unconditional by Sam Mallon & Jordan Matthis
Zane Meyer-Thornton
Los Angeles, California | Photojournalism major; Sociology minor
INTERNSHIPS
- Cincinnati Enquirer, Ohio
- Native American Journalists Association, Fellowhip/Remote
Ellie Banaszynski, 5, has a snack between games of Killerqueen on Sunday, June 20, 2021, at Wondercade Cincy. By having only classic arcade games, Wondercade Cincy is helping a new generation of people enjoy games from years past.
ABOUT THIS PHOTO
When I first got to this arcade, I thought to myself “what a nightmare of a place to photograph”. All the windows were covered, which made available light extremely scarce. As I walked down an aisle and looked to my left, Ellie’s infatuation with the game stopped me in my tracks and reminded me to never overlook a situation.
Sarah Anderson is swarmed by goats during her goat yoga class at Westbrook Farms in Bowling Green, Ky. on April 17, 2021. The class was organized by Be Happy Yoga and Westbrook Farms to combine the calming effects of yoga with the joyful experience of playing with goats.
ABOUT THIS PHOTO
Photographing a goat yoga class was something I would have never imagined doing but represents why I love photojournalism. Inhabiting these light slivers of the world where people find true joy will forever be why I enjoy this craft.
CAPSTONE PROJECT
View Entire Story: http://wkuvjp436.tilda.ws/crux
Crux by Addison LeBoutillier & Zane Meyer-Thornton
Our individualistic perspective of the world determines what makes life fulfilling. Rock climbing represented this for Sunny Yang, until he was left paralyzed from the neck-down after being struck by a distracted truck-driver. When doctors informed Sunny that he would be paralyzed for the rest of his life, he told them to not provide any more life-saving treatment for him; he would rather die than live a life without rock climbing. However, the support of his wife children, and the rock-climbing community helped him realize what matters most.
Kennedy Gott
Bowling Green, Kentucky | Photojournalism major; Philosophy minor
During weekly Sunday meetings at Faith Works Sober Living Home, the women living in the home reflect on their week, their struggles, their success, and their emotions. Regina Hensley (second to the right) relapsed after losing her sun to cancer on August 9, 2015. She gave into her addiction to alcohol through these tough times; yet, in September 2020, she chose the road to recovery and moved into Faith Works Sober Living Home in January 2021. “I can’t remember anything from the past two years. But I remember everything since September. Since I’ve been sober. Since I’ve lived in this house,” Hensley said.
ABOUT THIS PHOTO
This was the first story that I did where I got completely out of my comfort zone. I had been photographing family members since I started my photojournalism journey in the middle of the COVID pandemic, and this was the first story that I did where I got to connect to and get to know someone that I had never met before. This story made me realize the importance of photojournalism and the impact that it makes on others and the world. The ladies of the Faith Works told me that they were happy to have me and share their stories because “most people don’t care about people like them,” and they appreciated that I did care.
Lauren and Lucas Moore got married on October 2nd, 2021. It was a day filled with tears, laughter, and lots of dancing. They did a huge sparkler send-off at the end of the night, where the sparkler smoke filled the air and lit the sky in orange, red and yellow colors.
ABOUT THIS PHOTO
Wedding photography has been a huge part of my photojournalism journey. When I got my first wedding inquiry for a wedding on August 8th, 2020, I was baffled. This was something that had been a goal of mine since I picked up a camera. After I photographed that wedding, the wedding inquiries started flooding into my email inbox. I photographed 3 weddings in 2020, 25 in 2021 and have 16 planned for 2022. Photographing weddings has taught me a lot about how to connect with people, how to take pretty and meaningful photos and how to hustle. I am thankful for each of my couples that I have had the honor to photograph and get to know.
Photographing weddings also taught me that it is okay to change my dreams and goals. I came into the photojournalism department at WKU with tunnel vision that I was going to be a wedding photographer for the rest of my life and that was it. As I learned the value of photojournalism, I realized that there might be more out there for me than wedding photography, and I am open to seeing where life takes me after graduation.
Addison Leboutillier
Owensboro, Kentucky | Photojournalism major; Digital Advertising minor
INTERNSHIP
- Center for Gifted Studies, Kentucky
The Pastor of Little Flock Church in Owensboro, Ky sings praises after Nala Olou (left) announced that she had finally gained her United States citizenship after ten long years of appeals.
ABOUT THIS PHOTO
For me, this photo was one of the first times that I felt truly pushed out of my comfort zone. It was for our Faith assignment freshman year, and I didn’t have many leads going into it. However, I remembered a small wooden church sitting in a field just off the bypass that I had seen several times while driving between Bowling Green and Owensboro. One day I went, and I could not have felt more welcomed. It gave me an insight for the first time into how important it is to just stop and ask, there can be good images wherever you go.
Stars trail across the sky on Saturday, October 9, 2021.
ABOUT THIS PHOTO
This was one of my favorite nights over the four years I spent in this program. Our class had the opportunity to go film star trails together in October of 2021. Whenever I look back at this composite, I think of the four-plus hours spent sitting together in the dark trying in vain to keep the moisture off our cameras. Yet despite all the frustration, it was a reminder of why this program is special. In the middle of the night when no sane person would be awake, we were all up together. For no reason other than wanting to try, we stayed out in that soggy field pushing each other to create something beautiful.
CAPSTONE PROJECT
View Entire Story: http://wkuvjp436.tilda.ws/crux
Crux by Addison LeBoutillier & Zane Meyer-Thornton
Our individualistic perspective of the world determines what makes life fulfilling. Rock climbing represented this for Sunny Yang, until he was left paralyzed from the neck-down after being struck by a distracted truck-driver. When doctors informed Sunny that he would be paralyzed for the rest of his life, he told them to not provide any more life-saving treatment for him; he would rather die than live a life without rock climbing. However, the support of his wife children, and the rock-climbing community helped him realize what matters most.
Sam Mallon
Silver Spring, Maryland | Photojournalism major; Gender and Women’s Studies minor
INTERNSHIPS
- Lexington Herald Leader, Kentucky
- Friends of Acadia, Maine
“I thought a lot about Wild Earth being this space where we don’t just say what’s wrong with the world, we really show what can be right with the world,” Heather Patrick said, a co-founder of Wild Earth Farm and Sanctuary. Patrick homeschools her daughter, Everly, 5, and the two spend most of their days learning and playing outdoors.
ABOUT THIS PHOTO
This photo is from a story that was a bit of a passion project of mine: I happened upon Wild Earth Farm and Sanctuary on Facebook one day and immediately knew that I needed to get out to Eastern Kentucky to capture the essence of the place. Co-founder Heather Patrick was gracious enough to let me into her and her daughter’s lives whenever I was able to make trips out there that semester, and the entire experience taught me so much not only about who I am and want to be as a storyteller, but as a person. When I look back at this photograph, I am immediately reminded of why I love this craft so much; and I can’t help but grin to match Everly’s contagious smile.
Jockey Chris Landeros is speckled in dirt after finishing seventh riding King’s Mischief in Race 14, the final race of the evening at Churchill Downs following the Kentucky Derby on May 1, 2021, in Louisville, Kentucky.
ABOUT THIS PHOTO
Photographing the Kentucky Derby is an experience unlike any other — the energy that exists at Churchill Downs that first weekend of May is surreal, contagious, and beautifully bizarre. It might be a sporting event, but the intersection of light, color and personality that erupts throughout the entire stadium is any feature photographer’s dream. This is one of the last photos I took after last year’s race day; most photographers had retreated to the media room by that point, but I simply couldn’t peel away — there’s no fourteen-hour workday I look forward to the way I do the Derby.
CAPSTONE PROJECT
View Entire Story: http://wkuvjp436.tilda.ws/unconditional
Unconditional by Sam Mallon & Jordan Matthis
Drifting Through Life
Cooper Briggs is a 12-year-old boy who was born deaf and has recently been diagnosed with Asperger’s Syndrome. As he goes through his first year of middle school, he faces not only his inherent challenges but also new challenges like girls, bullying and finding himself.
This project was a picture story by Kennedy Gott completed in the Advanced Photojournalism class.
Cooper Briggs is a 12-year-old middle school boy who loves cars and expresses that through gaming, drawing, painting, animating and talking about his knowledge of cars. Cars are Cooper’s connection to his friends at school, his dad who is also a car enthusiast, and the world around him.
Cooper uses his free time in class to draw cars on paper and animate them on his teacher’s iPad. He has always gotten good grades and gets his work done quickly, so he has enough time to do his art. Cooper has new drawing to show his family and classmates nearly every day. While he enjoys going to school and learning, one thing that bothers him about middle school is that everyone talks 24/7. ““He doesn’t like the chaos at school. It just really bothers him when things are not in order. Things need to be a certain way,” Jennifer said.
Cooper eats lunch with some of his friends from middle school. While he believes that people pick on him and others that their school sometimes, he also believes that his friends are there for protection from all the fights and chaos that happens in middle school.
Cooper sits behind the gym bleachers in his last class of the day at school after doing sit-ups because he wanted to “lift something heavy.” He goes to try to play basketball and catch a football with the other kids during this class as well. “People think I am stupid, but I am actually highly intelligent,” Cooper said.
Our 2021 Senior Exhibition
With COVID and all that jazz, we recently realized that we overlooked posting the 2021 Senior Class work so we thought before THIS year’s seniors graduate, we want to make sure we recognized the class of 2021 and all of their achievements.
At the end of each school year, we ask our capstone PJ436 students to select one photo that means the most to them from their time here at WKUPJ and to tell us something about the image. We also have linked their capstone projects and portfolios. We hope you spend some time with the work of these talented alumni, it is no easy feat to earn a degree from WKUPJ.
Autumn Alexander
Atlanta, Georgia | Photojournalism major, Entrepreneurship minor
INTERNSHIPS
- Tennessee National Democratic Party
ABOUT THIS PHOTO
This image is about humor and not taking life too seriously. The day I took this photo I was really stressed out and I wanted my lighting to look perfect. Being that I was stressed out, my subject, Broadway the Clown, could probably sense that and decided to put on the pink clown wig for my portraits. This was a really fun shoot for me. I got to take pictures of Broadway in the wig and I also got a chance to present my project in the same wig as well. Photojournalism and college, in general, has taught me that there is a time and a place for everything. Sometimes it is okay to just let loose.
ABOUT AUTUMN’S TIME AT WKU
WKU has made me a better me. Prior to attending WKU I was a shy, timid person that may or may not have been scared of her own shadow. Now I am coming into my own, the young woman I always knew I could be. I am proud of what I have accomplished as a Hilltopper, but a little sad that I have to move on to the real world. However, I know I can always come back and see my WKU family.
AUTUMN’S CAPSTONE PROJECT
Unfiltered Love
ABOUT THIS PROJECT
A family recounts on their mother and grandmother having renal failure, a disease that takes lives in the black community all too often. They tell their story in hopes that their loss will inspire others to tell their story and take charge of their health. If their story can save one life then it would have all been worth it.
Visit Autumn’s capstone project
Grace Armes
Hodgenville, Kentucky | Photojournalism major, Entrepreneurship minor
Annie and Abby Burd are 19-year-old identical twins from Bowling Green, Ky. They have grown up together and left their hometown together to attend the University of Alabama Huntsville on soccer scholarships. They are spending their last weekend together before Abby moves back home to Bowling Green, and Annie stays at school in pursuit of her soccer career and degree. This will be the first time in their lives that they will be living apart.
ABOUT THIS PHOTO
This 2018 image was taken from my final portrait series in PJ 333, Intro to Lighting. For my final project in this class I decided to do a portrait series on twins because I was a twin myself. I wanted to collect twins of all different types to photograph. Boy twins, boy girl twins, girl and girl twins, I even found a mother of twins that was also a twin for this story! I always had the idea of doing this story before I had even come to college because it represented a part of who I was. Having a girl twin sister is a huge part of my life and I wanted to share that.This is a photo of Annie and Abby Burd. At the time, they both attended The University of Alabama Huntsville on Soccer scholarships. This was taken the spring of their sophomore year in college and Abby had made the decision to move back home and Annie wanted to stay in Alabama. This was the first time in their lives that they would live in different places. Today, Abby is in Cosmetology school here in Bowling Green, Ky. and Annie is in her senior year at the University of Alabama Huntsville.
ABOUT GRACE’S TIME AT WKU
WKUPJ has meant so much to me! As a senior, I am so glad that I gave every single project, even if I only had to turn in one single photo, my all. This led me to asking my peers for help, gaining friendships. It led me to use the gear checkout, learning with classmates on what gear would make the project its best. It led me to spending long nights in Jody Richards Hall franticly editing videos the night before the project was due. (whoops) But as a senior, I have realized that this is what makes up the college experience. Living and learning and using your experiences to become a better photographer at the end of it.
GRACE’S CAPSTONE PROJECT
Learning Curve: A Kindergartner’s perception of public school effected by the 2020 COVID-19 pandemic.
ABOUT THIS PROJECT
How does no-contact learning effect a 6-year-old and her family? Kindergartner Marjorie Young navigates what it is like to be a student and learn virtually while being a sociable little kid amid the COVID-19 pandemic.
Visit Grace’s capstone project
Ivelliem “Ivy” Ceballo
Tampa, Florida | Photojournalism major (Second degree)
INTERNSHIPS
- Deseret News, Salt Lake City, Utah
- Tampa Bay Times, Tampa Bay, Fla.
AWARDS
- NABJ Visual Task Force scholarship recipient, 2020
- Mountain Workshops scholarship recipient, 2019
Burmese refugees Thang Khup, Niang Lun and their two children Samuel Lian, 3, and six-months-old Mercy Vaan, play in their home while waiting for their case worker to arrive on Friday, Nov. 30, 2018. The young family began building a new life in the United States on Nov. 9. “I don’t work, have any income, but the government, people around here providing me with food, a place to stay that is a blessing beyond anything I can imagine,” Khup said.
ABOUT THIS PHOTO
The International Center of Kentucky introduced me to two families, whom I’ll always remember fondly, because connecting with them taught me how much fun this profession could be. I felt really nervous while working on sharing Khup and Lun’s story because there was a language barrier between us. I had to communicate with them via a translator, who wasn’t present the days I went to photograph them, so Google Translate and hand gestures were our friends.
All they brought from their native home was a few clothes, a photo album with 4×6 pictures to remember the life they had to leave behind, and a medium poster from their wedding day on display in their living room, on the wall opposite of the pictured couch they were donated. They had each other and that was enough. Hiding in their shower with a camera while we all played hide-and-seek with Samuel brought me so much joy. This image hangs in their living room now too.
ABOUT IVY’S TIME AT WKU
Do you ever find yourself somewhere with a camera and think, how did I get here?…In this person’s space to get to see this moment? That was my WKUPJ experience, and I am so grateful for it. I enjoyed learning about the people and places a camera could help me discover and I look forward to continuing developing this craft.
Although I picked up a camera my first go at college, I never really thought it could become a career. I started out pursuing a career in the military (I know, right? Me. My life was split between leadership involvement in yearbook and JROTC in high school), then life happened and after a hiatus in Brazil, where I served as a missionary, I returned home to finish my first bachelor’s degree knowing I wanted to work in journalism. After a web news internship and eventual job I found myself falling head over heels for the work by a talented team of photojournalists at Deseret News, and I wanted to get out of the newsroom and be in the community so badly that I quit my job to try to do it solo.
I made the decision to attend Western after stopping by for a tour on my move back across the country to start only a few months after I visited, and it’s been the craziest road trip since. I wouldn’t trade the experience and the continued education I gained from Western’s photojournalism program at the cost of stealing my heart with the love and support of so many kind humans connected to the Hill.
IVY’S CAPSTONE PROJECT
God Bless My Journey: Laboring in the field while surviving the pandemic.
ABOUT THIS PROJECT
A community of essential field workers bonds together amid the coronavirus pandemic. The diaspora of immigrants from Central America already struggle to survive to pay their bills and put food on their tables. When the health crisis struck, the community responded.
Joeleen Hubbard
Knoxville, Tennessee | Photojournalism major, Arts Administration minor
INTERNSHIP
- Zoo Knoxville, Knoxville, Tenn.
AWARDS
- 2nd Place, CSP Gold Circle Awards, 2020
- 3rd Place Feature Photo, Associated Collegiate Press Pacemaker Awards, 2020
- George & Francis Tames Scholarship, 2020-2021
- David B. Whitaker Scholarship, 2020-2021
Incoming freshmen participate in a glow zone party on Wednesday, Aug. 21st, 2019 during WKU Master Plan, an orientation program for incoming freshmen to adjust to college life.
ABOUT THIS PHOTO
I chose this image because I was able to capture pure joy during a transitional period for all college students. College has been such an important part of my life where I was truly able to grow into the person I have always strived to become, and I loved getting to document that same experience for other college students. Along with that, this photoshoot was one of the first that built my confidence and reassured me that I am able to do this and eventually enter this career field. I left the photoshoot feeling confident and secure in my ability to become a photojournalist and continue my passion.
ABOUT JOELEEN’S TIME AT WKU
There isn’t enough time and there aren’t enough words for me to express exactly what WKU PJ has meant to me. When I first began my WKU PJ experience, I would’ve never seen myself being confident enough to photograph a complete stranger and getting to capture the most intimate moments throughout their daily life.
I’ve been able to open myself up to some of the best relationships because of photojournalism and have created some of the best memories, all because of the professors and mentors that have pushed me and helped me grow throughout my time at WKU.
Thanks to WKU PJ, I was able to form relationships with peers who have become some of my best friends, meet and photograph some of my favorite musicians, meet and photograph politicians, and even work as an intern to document some adorable animals! That’s the magic of WKU PJ- you never know where the heck your time and experiences here will take you.
JOELEEN’S CAPSTONE PROJECT
A Second Chance: A couple shares how traumatic events have strengthened their relationship.
ABOUT THIS PROJECT
Justin Weatherbee was introduced to drugs when he was merely 12 years old. Since then, he has been battling with drug and alcohol addiction while cheating death multiple times. When he met Christina Scott in 2014, he opened up about his journey to recovery; but Scott was unaware of the hardships that the process would bring. The couple soon learns about the struggles that come with addiction recovery but would also find strength and a newfound perspective on their relationship.
Visit Joeleen’s capstone project
Chris Kohley
Naperville, Illinois | Photojournalism major, Sales minor
INTERNSHIPS
- Milwaukee Journal Sentinel, Milwaukee, Wisc.
- Appleton Post Crescent, Apppleton, Wisc.
- St. Louis Post Dispatch, St. Louis, Mo.
AWARDS
- Bob Adams Journalism Scholarship, WKU Student Publications, 2018
- David Cooper Scholarship, WKU Photojournalism, 2018
- 3rd place, Multimedia Sports, The Associated Collegiate Press, 2018
- 1st place, Sports Picture Essay, Kentucky Press Association, 2018
- 1st place, Sports feature photo, Pinnacle College Media Awards, 2019
- Honorable mention, Magazine cover of the year, Associated Collegiate Press, 2019
- Mike Morse Scholarship, WKU Photojournalism. 2019
- George Tames Scholarship, WKU Photojournalism, 2020
- 3rd place, Hearst Journalism Awards, Photojournalism I Competition, 2020
- 4th place, Hearst Journalism Awards, Multimedia Innovative Storytelling & Audience Engagement Competition, 2020
Keaton McCarty, 19, learned the ways of farming as a child on his family owned farm. Today, he is the owner of his own farm and has aspirations for its future. He says his goal is to give farmers a better reputation in America.
ABOUT THE PHOTO
This image is from the 2018 Mountain Workshops in Mt. Sterling, Kentucky. It’s of 19-year-old Keaton McCarty sitting the cab of a semi-truck waiting to drop off a supply of grain. There is something magical and infectious about Mountain, I feel like everyone who goes gets a lasting image from it. I have great memories of my story especially because my subject was the same age as me, but we had very different paths in life. Keaton graduated high school and immediately wanted to become a farmer because it is in his bloodline and there aren’t many people who wish to be local farmers anymore.
Keaton and I got along so well because we could have been buddies in college, we were the same age and just understood each other. That allowed some vulnerability out of Keaton which allowed me to make this image. I remember sitting in the passenger seat of the cab making conversation with him and snapping some frames here and there. In this moment he happened to look over his shoulder as a friend approached his vehicle, and that made the picture which ended up in the final story and is ultimately what comes to mind when I think of my most memorable WKUPJ image.
ABOUT CHRIS’ TIME AT WKU
As a freshman, the standard of work being done by those ahead of me was so astonishing and inspiring. Nobody did the same kind of work, and I appreciated the freedom WKUPJ offered you to become the kind of photographer you want to be. I used this freedom to immerse myself in everything WKU had to offer from student publications, the Mountain Workshops, and WKU Athletics. I’m leaving this program having accomplished more than I could have ever imagined as an 18-year-old coming in. WKUPJ has meant lasting friends and connections, a place for me to spread my wings, and given me confidence in my own work and abilities.
CHRIS’ AND LILY’S TEAM CAPSTONE PROJECT
Love After Loss: A couple prepares and deals with the loss of their newborn daughter to Potter’s Syndrome
ABOUT THIS PROJECT
Kylee and Wyatt Weeks were expecting their first child, Naomi, in November 2020. Weeks before delivery, the couple discovered the baby would be born without kidney’s due to the development of Potter’s Syndrome. Kylee and Wyatt then prepared to deliver a child they knew would not survive.
Visit Chris’ and Lily’s capstone project
Reed Mattison
Bowling Green, Kentucky | Photojournalism major, Outdoor Leadership
INTERNSHIPS
- Outdoor Leadership, 2018
- Explore Kentucky Initiative, 2017
David Kramer, 85, sits beside his custom-built machine designed to bend wood. Kramer makes Shaker boxes and sells them in Shakertown, a defunct religious community in central Kentucky. David has been making boxes for almost 30 years. “I enjoy it,” David says. “It keeps an old man off the streets.”
ABOUT THIS PHOTO
This picture is important to me because I felt like I was beginning to hit my stride as a photojournalist. During my time photographing Mr. Kramer at the Mountain Workshops, I had no other distractions or obligations. It was the most feedback I’d gotten on a story, it was the most time I’d spent with a subject consecutively, it was just the most in all aspects. Mr. Kramer ate me alive though, he asked me tough questions, made me work hard to find his story, and gave me nuggets of wisdom I’ll always think about.
ABOUT REED’S TIME AT WKU
I definitely didn’t know what I wanted to do in school. After finding WKUPJ, I wouldn’t want to do anything else. My time here has been so formative and has been hard at times. A word to newcomers: it will get hard, but that’s what makes the trip so beautiful. Hold onto your friends and persevere together. To all my classmates: I love you and thank you. I’m not dying, I’m just graduating.
REED’S TEAM CAPSTONE PROJECT
Green is Easy on the Eyes
ABOUT THIS PROJECT
Max Farrar and Davida Flowers are two of the 321,000 Millennial farmers. As a generation becomes more concerned about the climate crisis and sustainable food sources, Millennials are finding their way back to the dirt.Max and Davida find gardening while living in Houston, however the constraints of the city, a surprise pregnancy, and the drive to pursue something bigger than themselves lands them in Bowling Green on Max’s grandfather’s old farm.
Visit Reed’s and Mads’ capstone project
Alex Maxwell
Salt Lake City, Utah | Photojournalism major, Music minor
INTERNSHIPS
- WKYU – PBS, Bowling Green, Ky.
AWARDS
- 9th place, Hearst Multimedia Category II, 2021
Master carpenter Mark Whitley aligns pieces for a table at his workshop in Smith’s Grove, Ky.
ABOUT THIS PHOTO
This image of master woodworker Mark Whitley in his shop is one of my favorite shots of a character, and this project represents to me one of the first times I felt like a true photojournalist capturing unique moments.
ABOUT ALEX’S TIME AT WKU
Being a part of the PJ program has led me to so many unique experiences, behind the camera and otherwise. I’ve made lifelong friendships, and become a better journalist thanks to the great people and professors at WKU PJ.
ALEX’S CAPSTONE PROJECT
Recovering Hope: How the community is fighting the growing hunger crisis.
ABOUT THIS PROJECT
Recovering Hope is a look into how hunger in Bowling Green has been made worse by the Pandemic. It shows how people in the community have sought to fight back against growing food insecurity, and how food pantries and new forms of hunger relief have coped with the rise in demand.
Rhyne Newton
Shepardsville, Kentucky | Photojournalism major, Fashion Merchandising minor
Cowles and Leann Crawley, a VA nurse for Hotel Inc. tend to Jeff’s wounds after a fall to the concrete at the Inn. Often times medicines are lost or stolen and never able to found again, without the help of Cowles as the street medicine coordinator. “It’s real and it’s raw and you leave exhausted but you keep going and you get used to it cause this all matters to keep them going,” said Cowles.
ABOUT THIS PHOTO
This image represents one of those moments where I walked into a high-pressure situation with a subject for my picture stories class. There was going to be a lot of vulnerable situations going on, most of which usually weren’t captured with a camera. But the PJ syndrome kicked in as soon as I walked through the door that night, and I felt like I knew exactly what I was doing. I was able to capture this image, which was able to represent the determination and tenacity my subject had, and I was extremely proud as well as my professor, Mr. Kenney, thank God!
ABOUT RHYNE’S TIME AT WKU
I think the best part of PJ is how you gradually develop your own visual style. Over these four years you go from shooting everything, a frantic mess to catching yourself planning shots in your head before you’re even there. Everything you shoot is blurry, there’s always no good light and don’t even think about captions. But then there’s a switch! One day, you have a killer story, clear ideas of the visuals you want, you are sharp (mostly), and you feel kind of badass and maybe…might be good at this? Nah, that’s going too far. Anyway, it’s been four years and I’ve loved every minute, WKUPJ.
RHYNE’S CAPSTONE PROJECT
Mix of All Three: Nana, Mom and Dad. At 64 years old, Karen Teyib has to be all three.
ABOUT THIS PROJECT
A closer view into the realities of single-parent Kinship Care as a grandparent in Kentucky. The state remains at number one for the highest number of kinship cases in the nation, leading thousands of children to be re-homed each year.
Visit Rhyne’s capstone project
Caroline Prichard
Delray Beach, Florida | Photojournalism major, Marketing minor
INTERNSHIP
- Organization for International Investment
Chad Hayes works on a lure he hand makes in his garage workshop for his small online business in rural Kentucky. Chad started his small business as a passion project that could also help him make ends meet, he works as a full-time electrician the other 14 hours of the day, then returns home to make and pack orders.
ABOUT THIS PHOTO
This photograph means a lot to me because this was one of the most labor-intensive stories I had done. I was told my freshman year that I would not make it through the program without a car. Four years later, many Ubers, Lyfts, and borrowed cars later, I am here to say it is possible. For this story I had to drive an hour and half into rural Kentucky in one of my friend’s very old and dilapidated cars. I had never driven this far out into a rural area before, alone, with spotty cell service. This shoot pushed me put of comfort zone and l taught me a lot about myself and my commitment to my photography.
ABOUT CAROLINE’S TIME AT WKU
WKUPJ has been some of the most challenging yet rewarding years of my life. I absolutely love my WKUPJ family and all the amazing friends and lasting connections that I have made within the program. My classmates are some of the most supportive and helpful people, I couldn’t have made it this far without them.
CAROLINE’S CAPSTONE PROJECT
Getting Out and Trying Again: A single mother struggling to get her life back on track
ABOUT CAROLINE’S CAPSTONE PROJECT
Carlandus (Cece) Elis is a 30-year-old single mother, currently living at a non-profit provided housing organization. Cece went through a multitude of trying living situations in her childhood from being abandoned by her mother who was addicted to drugs, being sexually assaulted by her grandfather, and physically abused by her biological father. All resulting with her being in and out of foster care, group homes, and inevitably jail.Cece represents a large demographic of children in America who grew up in single parent households riddled with abuse and how it both negatively impacts them for the rest of their lives.
Chloe Skeese
Berea, Kentucky | Photojournalism major, Creative Writing minor
ABOUT THIS PHOTO
This image was the first photo that I truly felt confident in. I could finally look at my work and see progress and potential, which became my constant encouragement to keep going.
ABOUT CHLOE’S TIME AT WKU
I am immensely grateful for WKUPJ and all that it has taught me. Being encouraged to constantly step out of my comfort zone to try new things has provided me so many great adventures. I have created new friendships and connections in places I never would have dreamed. The constant support from everyone has allowed me to become more confident in the work I produce and has taught me to never give up on both small and large goals. It may have been the most challenging for years of my life, but in the end, it was worth it.
CHLOE’S CAPSTONE PROJECT
From Number to Name
ABOUT THIS PROJECT
Creating a name for yourself seems impossible. Creating a name after enduring years of trauma, pain, starvation, and neglect can be even more difficult. Tyler Hunter-Boards spent the majority of his childhood in different homes. Homes that should have been trusting and loving family members turned to homes that he would never go back to. Now, Hunter-Boards helps create a new legislature for the Kentucky foster care system in an effort to prevent others from going through what happened to him. He has his eyes set on one goal and one goal only, but this was not always the case.
Visit Chloe’s capstone project
Emma Steele
Louisville, Kentucky | Photojournalism major, Sales minor
INTERNSHIP
- Loudoun Now, Leesburg, Va.
AWARDS
- 14th place, Hearst picture stories category, 2019
- 3rd place, Kentucky Press Association, Picture Essay, 2019
Randall Davidson brings roses to his wife Megan’s grave every Sunday. “Roses symbolize love,” Davidson said.
ABOUT THIS PHOTO
This image is the cover photo from my picture story “We can do Hard Things”. This story was one of the most emotional pieces I’ve ever worked on and changed my entire perception as a person and a journalist. I knew that I was doing something right if my subject, Randy, allowed me to enter in on his most vulnerable moments after losing his wife just months before.
ABOUT EMMA’S TIME AT WKU
WKUPJ has taught me way more than how to be a photojournalist. I have learned how to step out of comfort zones, be bold, communicate better, and challenge myself. It has contributed to a major part of who I am fundamentally. Learning how to overcome challenges throughout the program has been the most rewarding. It has given me confidence that if I can make it through one of the toughest Photojournalism programs, I can achieve great things in the future.
EMMA’S CAPSTONE PROJECT
My Family Portrait: Digging into my family’s past to discover the root of my passion for photography.
ABOUT THIS PROJECT
Knowing that my Great Grandfather had made a huge impact in my life, it was time for me to find out why. Through the stories of his wife, my grandmother, and my mother; I was able to piece together parts of who he was. A story in which the decisions of one man completely changed the fate of generations who came after.
Lily Estella Thompson
Paoli, Indiana | Photojournalism major, Political Science and Journalism minor
INTERNSHIP
- Center for Gifted Studies, Bowling Green, Ky.
AWARDS
- Reinke Grant for Visual Storytelling, 2020
- Second place, Hearst Journalism Awards Photojournalism II competition, 2020
- Hearst championship runner-up and best single image, 2020
- Third place and honorable mention, spots feature, Associated Press Photo of the Year, 2020
- Award of excellence, general news, College Photographer of the Year, 2020
Tracey Moore is a certified professional midwife who has been performing home births for nearly two decades. Moore is one of few who practices home births in the Commonwealth, forcing her to travel all around the western and south central regions of Kentucky. She is based in Summer Shade, Kentucky, in rural Metcalfe country. Moore delivers June Hunt on Nov. 8, 2019. Moore’s days are always different. In the last few years, midwifery has taken a much larger role in her life since her midwifery partner, who was more like a member of the family, abruptly had to leave their practice in early 2017. This left Moore to take care of nearly twice as many patients as she felt comfortable with. Shortly afterwards, Tracey suffered a miscarriage of her own at 52-years-old, she believes partly from the stress of losing her best friend and business partner and having to stretch herself thin to take care of all her clients. However, Moore persists. “I always had the heart for it, and then I saw the need for it,” Moore said. “Too many women are run through the birthing machine.”
ABOUT THIS PHOTO
This photo was quite literally the first time I documented life coming into the world. My midwifery story was a turning point for me— it was one of the first times I really felt like I could do this and that photojournalism life is for me. There are many moments and photos that I cherish, but this story is special to me. Thanks to Tracey for letting me be there, and thanks to all the other subjects who have let me into their lives over the years. The people I have met, whether subject, classmate, professor or coworker, have taught me so much more than a textbook ever could. That’s the magic of WKUPJ.
ABOUT LILY’S TIME AT WKU
WKUPJ has meant the world to me. It’s one of the few groups of people where I have ever felt accepted. I may not know every PJ super well, but I know I have a group of people who want to help me and see me succeed and I, the same for them. I am proud of everyone who I’ve met through this program and I am so happy that our paths crossed. The people really are the best part of this program. I learned so much, which is incredible, but it’s the people who I really cherish.
LILY’S AND CHRIS’ CAPSTONE PROJECT
Love After Loss: A couple prepares and deals with the loss of their newborn daughter to Potter’s Syndrome
ABOUT THIS PROJECTKylee and Wyatt Weeks were expecting their first child, Naomi, in November 2020. Weeks before delivery, the couple discovered the baby would be born without kidney’s due to the development of Potter’s Syndrome. Kylee and Wyatt then prepared to deliver a child they knew would not survive.
Visit Chris’ and Lily’s capstone project
Hannah Vanover
Covington, Kentucky | Photojournalism major, Public Relations minor
INTERNSHIPS
- Beech Tree News
- Ment Cowork
- Ohio County Times
ABOUT THIS PHOTO
This image was taken as part of a final portrait series in PJ lighting class on invisible illnesses. This project was very close to my heart and it meant the world to me to have so many individuals open up about their struggles and allow me to visually portray their pain. I became very close with my photo subject, Kaytlin Morgan, and enjoyed being able to photograph and get to know her before and after this shoot. Kaytlin, later that summer, died unexpectedly and it was the first time that I had to experience the loss of not only a photo subject, but someone that I called a friend. The memories and photos that I have of her will forever live on and I am so thankful that life brought me to her.
ABOUT HANNAH’S TIME AT WKU
I have come out of my comfort zone and done things I never thought I would have. This program has truly become a second family to me and I’ve enjoyed being around so many other people that share the same passion as me. I’m grateful to have been able to build my portfolio and receive so many opportunities. Thank you WKUPJ
HANNAH’S CAPSTONE PROJECT
Invisible: Uncovering the reality of hidden illnesses
ABOUT THIS PROJECT
Invisible. Stigmatized. Misunderstood. Many are fighting a health battle seemingly unknown to those around them. Invisible illness takes many forms and they look and feel different for each individual. What do these people have in common? The need to feel seen, heard and understood. The chronic illness community will be shown in a different light – one that allows those with invisible struggles and feelings to become visible.
Visit Hannah’s capstone project
ALL IMAGES AND VIDEOS COURTESY OF THE MEMBERS OF THE 2021 SENIOR CLASS
Photo and video materials belong to their owners and are used for exhibition purposes only. Please do not use them without written permission.