Our 2020 Senior Single Photo Exhibition

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At the end of each school year, we ask our capstone PJ436 students to select one photo that means the most to them from their time here at WKUPJ and to tell us something about the image. Obviously, it is a powerful thing to graduate from our program, even in this era of social distancing and COVID-19 – we could not be more proud of this year’s seniors.

Madihah Abri

Louisville, Kentucky | Photojournalism major; Spanish minor

Shante Parker & LA Rogers

ABOUT THESE PHOTOS
Both of these images were taken a few weeks apart from each other, and looking back on them I realize how important they are to me. This was the moment everything “clicked” after going through various obstacles, including having to leave WKU and then finding a way to come back. I felt my confidence starting to fade.

I have always had a passion for storytelling and was in my opinion becoming a decent editorial photographer prior to having to leave WKU. When I came back I felt lost and “not good enough.” That is until I was able to take PJ 439, Advanced Studio Lighting.

While taking these images, I not only realized my self-worth as a photographer but also my hidden desire to own my own studio. I stepped out of the world of editorial photography and into a world of fashion and portraiture. I developed a love for blending colors and shaping the light around different skin tones to make the desired feature pop.

In the studio I’m still able to be a storyteller and give representation to those who do not have that power; but now I can do it in a more creative and “Me” style. The portraits of Shante and LA allowed me to grow as a person and a photographer by guiding my way back to what I lost – my personal drive.

Phoebe Alcala

Sacramento, California | Photojournalism major, Sociology minor

The advanced dancers of the San Diego Academy of Ballet prepare backstage for their yearly performance of The Nutcracker on Nov. 23, 2018.

ABOUT THIS PHOTO
Reflecting back on my years at Western, I can’t think of a shoot that was more physically and mentally exhausting than this one. I was on my feet for hours on end making sure that I captured every moment possible, foregoing water breaks in favor of shooting the countless tutus and elaborate stretching routines that seemed to be around every corner. Here, I discovered that there is something magical about being behind the scenes of a ballet performance. Elegance and chaos collide as dancers hurry to apply makeup and search for costumes while surrounded by blur of tulle, glitter and dance moms. All goes quiet as soon as the curtain rises, and the dancers look perfectly polished. The audience members know nothing of the mayhem that’s going on behind the scenes; all eyes are on the seemingly effortless movements of the dancers.

To me, the fine line between elegance and chaos reflected in this image mirrors the job of a photojournalist so perfectly. Blood, sweat and a whole lot of tears serve as the foundation for success. This was one of the most challenging and rewarding shoots of my PJ career thus far. Nothing is effortless, whether it be ballet or photography – you must be pushed to your limits to be able to see what you can truly accomplish.

Michelle Hanks

Chattanooga, Tennessee | Photojournalism major, Sociology minor

INTERNSHIPS

  • The Washington Post, Washington, D.C.
  • Louisville Public Media, Louisville, Ky.
  • Interlochen Center for the Arts, Interlochen, Mich.

Natasha, 24, frantically gets ready to leave her home to see her daughter for her weekly foster care visit in Bowling Green, Kentucky. She arrived with only minutes to spare before the visitation would have been canceled. She had missed the last three visits.

ABOUT THIS PHOTO
This image is part of a photo story that documents Natasha as she attempts to gain custody of her infant child due to a drug charge. Despite her good intentions, Natasha continued to use meth while she waited for her court sentencing.

This was the most ethically challenging and sensitive story I’ve worked on during my time in the program. Natasha gave me a lot of trust to let me photograph her while she was in a very vulnerable state of her life. I felt a huge weight of responsibility to tell her story with empathy, yet also with accuracy and fairness. I’ve lost touch with Natasha, but I still often think about how she is doing since we last saw each other.

Bowling Green, Kentucky’s Greyhound bus station has stayed the same for the last 29 years, yet new people come and go every day.

ABOUT THIS VIDEO
I made this video during the fall semester of my senior year. At the time I lacked a lot of confidence in myself to tell a compelling story about this bus station, a place that looked so mundane from the surface level. But with the guidance and encouragement of my professor, Tim Broekema, I surprised myself and made one of my most cherished short docs to date.

I took away two lessons from making this short doc. I learned how important it is to share your work with others while it’s in the “in progress” phase. I am one who tends to avoid sharing work when it’s still messy and unpolished, but if I had not come to my professor before the short doc deadline the video would not have turned out as strong as it did. The second lesson I learned is that it’s possible as a filmmaker to create something interesting without having the most interesting footage. As visual journalist Eric Maierson once wisely said, it’s not about the cards you are dealt with but how you play them.

Morgan Hornsby

McKee, Kentucky | Photojournalism major, History minor

INTERNSHIPS

  • The Gallup Independent, Gallup, N.M.
  • Tulsa World, Tulsa, Okla.
  • Naples Daily News, Naples, Fla.
  • The Marshall Project, New York, N.Y.

Carolyn Williams and her great-granddaughter, Adalynn, stand in an embrace at Carolyn’s home in Claremore, Okla. on August 10, 2018. Twenty-one years after her daughter, Angelina, was removed from her care, Shaunte Gordon received a Facebook message from her daughter asking to meet again. When they were reunited, Shaunte brought her mother, Carolyn, and Angelina brought her daughter, Adalynn. For the first time, Carolyn saw her granddaughter and great-granddaughter. “Four generations restored,” Carolyn said.

ABOUT THIS PHOTO
I made this photo of Carolyn and Adalynn while we were taking photos of them with the rest of their family. When I noted the similarity of their hairstyles, the two of them happily excused the others from the frame to get one by themselves. Their bond was special — deeply ingrained and apparent despite not knowing each other for much of their lives.

When I received the internship at the Tulsa World, I did not know I would spend most of my free time that summer working on a story about incarceration. Before that, criminal justice wasn’t something I thought about very often. My first assignment was to photograph a prison graduation ceremony. After that, I wanted to learn more about the criminal justice system and its impact, so I started working on a project about the effect of incarceration on families in Oklahoma.

The people who let me into their lives and shared their stories with me that summer changed my life forever. When my subjects put photos in frames, or when the stories ran in the paper, I felt more purposeful than I had in my life. Since then, telling stories of incarceration has been my primary focus as a photographer. Working on these stories, I feel a greater purpose for all the skills I’ve learned over my time at Western.

Nic Huey

Atlanta, Georgia | Photojournalism major, Folklore minor

INTERNSHIPS

  • Beam Imagination, Atlanta, Ga. (two summers)

Mason Ashby, 9, and his great uncle, Earl Ashby, spend time together at Cedar Ridge Speedway in Morgantown, Ky. The Ashby family has operated the half-mile dirt racetrack for decades, but they do more than sell tickets. The Ashby’s are one of the fastest families in Kentucky, with Mason regularly beating drivers twice his age.

ABOUT THESE PHOTOS
Cameras have always given me an excuse to visit unfamiliar places. For these images, I brought out a large format camera and set up a white seamless to make portraits of characters at the track. It is pretty special to have a total stranger sit for a portrait; it gives you a reason to be curious, ask questions and learn about their life.

This is one of the many instances that solidified my love for the intersection of journalism and photography. The idea of creating images that can live on and become a part of visual history is a constant source of inspiration for me, and days like this day out at the racetrack constantly remind me of the joy of documentary photography.

Larry Duncan leaves the house every night after sundown and doesn’t return until the early morning. His goal? Getting students home safe.

ABOUT THIS VIDEO
Ever since the first ride-share companies started popping up, I was fascinated with idea of two strangers coming together in a car for a trip. It is a temporary and random intersection of two lives, one that ends as quick as it begins. What conversations take place? What ideas are shared? When I came across Larry’s Instagram page, I knew it was my chance to find out. For several nights I rode along with Larry and his passengers documenting the strange reality of ride-share.

With documentary video, I love to be a fly on the wall. This project allowed me to do just that, even getting in-car footage from Larry’s dash cam. It was awesome to document the seemingly innocuous occurrences of Larry’s ride-share routine through the early hours of each morning, and to see the bonds he forms with his passengers as their lives temporarily cross paths.

BreAnna Luker

Fenton, Missouri | Photojournalism major, Marketing minor

Amanda Young, 30, hugs her niece during the “baby” ballet class at Dance Images in Bowling Green, Ky. Young has been dancing since she was 5 and teaches kids and adults of all ages in dance and fitness. The girls got to play dress up with the ‘”big girl” costumes at the end of practice.

ABOUT THIS PHOTO
After 18 years of spending my days and nights in a dance studio, I walked in with a camera bag on my shoulder instead of my dance bag. I picked up my camera and found myself lost in combining my two passions – dance and photography.

For me, this image is more than just a young girl hugging her dance teacher. This image embodies everything that dance means to me. When I captured this moment, I saw myself in each of the young girls. The little girl in the red dress is admiring the beautiful tutu she hopes to wear one day. The little girl in purple watches herself dance, not caring what anyone else thinks. The little girl in yellow just soaks in every moment around her. The little girl in green hugs her teacher, someone who she admires and looks up to. Dance taught me so many incredible qualities, and I find myself integrating them in my photographic work; looking to future possibilities; not getting wrapped up in what others think of my work; soaking in every moment that I carry my camera; and continuing to be inspired by my peers.

I think that’s why I love this image so much. It took me me back to so many unforgettable memories of mine. This image showed me that as photojournalists, that’s what we do. We capture moments. We capture memories.

Emily Moses

Nolensville, Tennessee | Photojournalism major, Geography minor

INTERNSHIPS

  • Interlochen Center for the Arts, Interlochen, Mich.
  • Friends of Acadia, Bar Harbor, Maine

Avery Rolett, 5, waits to be buckled up in the passenger seat of his dad’s pickup truck outside their farm in Scottsville, Ky. His parents, Jackson and Jordan Rolett, are first- generation farmers who started StoneHouse Market Farm less than a year ago. Jackson helped start the Double Dollars program at the Bowling Green Community Farmers Market, an initiative to make local food an affordable option for the entire community. The Rolett’s receive SNAP benefits to feed their children because the farm does not provide them with a living wage.

ABOUT THIS PHOTO
I took this photo right before leaving my subject’s house in the fall of my junior year. That semester, I was enrolled in PJ 334, Picture Stories, a class that gave me clarity that photojournalism was far more than a hobby for me. The class gave me the opportunity to get to know families that I might not have met otherwise.

During this class, I pursued many environmental stories that involve farming and food insecurity, an interest that is rooted in me from being raised on a farm. The Rolett family not only allowed me into their home, they shared their passion for farming sustainably to create a better world for their children to grow up in. The images I created in this story of the Rolett boys running around barefoot on their farm made me nostalgic for stomping in the creek on my family farm with my little brother. Although I was telling the story of the Rolett family, I found glimpses of my own story in theirs.

Grace Pritchett

Evansville, Indiana | Photojournalism major, Advertising minor

INTERNSHIPS

  • The Cincinnati Enquirer, Cincinnati, Ohio
  • Interlochen Center for the Arts, Interlochen, Mich.

Left to right, Daeanna Kidd, Lanae Matthews and Takoryah Green play at the Parker Bennett Community Center, which offers free after-school care to children in Bowling Green, Ky. Located in the housing authority district, most of the children who attend come from low-income families. Jkeyah Patterson, a recreation assistant for the community center, says, “Over here, it’s low income, so they are going to appreciate more.”

ABOUT THIS PHOTO
As a photojournalism student, I eventually realized that despite my shy nature I could talk to anyone as long as I had my camera in hand. It was like my super power, and I loved it. Not only did I get to meet new people on a daily basis for my assignments, but I also got to capture the raw emotion of moments in their lives.

On the day I took this photo outside the Parker Bennett Community Center, I had been tasked with finding a story for my Picture Stories class. I was photographing these kids all hanging out on the jungle gym, not feeling like I was making much progress, and then all of a sudden they turned. A sea of faces glanced in unison at something happening behind me. I am still not sure what they were looking at because I was jumping into action. I started pressing down on the shutter and adjusting the composition as much as I could before the moment was over.

Although it did not turn out to be a perfect picture by any means, this photo represents a turning point in my relationship with photojournalism. I realized that not every moment had to be “loud” to have impact. The little in-between moments could be just as engaging, just as storytelling. More important, this photo reminded me that I could give people a voice by telling their story; that is what matters most.

Dalton Puckett

Buffalo, Kentucky | Photojournalism major, Citizenship and Social Justice minor

INTERNSHIPS

  • Philmont Scout Ranch, Cimarron, N.M.

Terry Key, right, is the founder of the Edgehill Bike Club in Nashville, Tennessee. After being forced to move to Edgehill by the East Nashville Flood of 2010, he quickly realized that the community needed change.

“When I first moved here, I took a kid a mile away to a park (he’d never been there before). He was 13 years old. I was like ‘Man! You ain’t never been out the neighborhood?'” Key knew what the kid was talking about though. “I was that kid that could never get out of that damn neighborhood. Until I got me a bicycle.”

Key wants to do more than just give kids bikes. He wants to give them something to feel good about. “If you can make a kid smile, you can make a kid to be a friend,” Key said. He is making the kind of difference in the community that he knew he could.


ABOUT THIS PHOTO
This image was a part of my very first story in my PJ 334 Picture Stories class. Our first assignment was particularly challenging because we only had a week to complete it. This image is important to me not only because I was able to spend time with Terry and Abde, but it also showed me that I could rally under an unexpected crunch for time and capture a story that was meaningful.

Lydia Schweickart

Louisville, Kentucky | Photojournalism major, Sociology minor

Rachael practices her pole dancing routine at home in preparation for an upcoming competition in Myrtle Beach, Fla. On Rachael’s nights off from work, she stays home and takes care of her son Gabriel. Her shifts at Tattle Tale’s Gentleman’s Club start at 6:00 p.m. and end at 2:00 a.m. Rachael’s fiancee has expressed his disapproval of Rachael working at a club, and he is expecting her to quit soon after her pole dancing competition. Rachael explained that even though she will be quitting at the club, she will never stop pole dancing because she enjoys it too much.

ABOUT THIS PHOTO
This photo was made up of a lot of firsts for me. It was part of my first ever photo story. It was the first time I went to a subject’s house. And it was the first time I had a subject truly allow me in to her life and trust me. It was this photo story that made me realize I never wanted to take that trust for granted. It was this photo story that helped shape my outlook on photojournalism for my next three years at WKU.

Having Rachael be so open with me made me realize the importance of being a human being first and a photographer second. All of my successes at WKU have been because of the people around me: my subjects, my professors and my peers. The most important thing I’ve learned in the photojournalism program is that talent in this profession means nothing If you aren’t a good person, a compassionate person and an empathetic person.

Chase Sheehan

Lexington, South Carolina | Photojournalism major, Communication Studies minor

Jimmy Thomas watches as his cousin and caretaker, Dana Thomas, scoops rocks into a small sinkhole on his farm. Jimmy Thomas has cerebral palsy and needs help doing daily maintenance on his property, where he has about 40-head of cattle.

ABOUT THIS PHOTO
This image represents the moment that journalism came together for me. I met the Thomas’s before my last semester of college and was drawn to their story. After spending several weeks with them, I started to understand what it meant to dig deeper.

The moment seen in this photo made me realize that I was capable of showing the magnitude of relationships between people. When I saw the image on my computer later that day, I felt like I had really captured the essence of their story, a family that was willing to do anything for each other.

Megan Strassweg

Louisville, Kentucky | Photojournalism major, Entrepreneurship minor

John Raleigh, 37, has been a bartender for 15 years. He found his home at Mo’s House in Evansville, Ind., after 12 years at the same college dive bar. He needed a change and has been at Mo’s since its opening in 2017.

“The older I got, the more I learned about the creativity and craftsmanship,” Raleigh said. “I’m able to use my college degree in art behind the bar, not only in the preparation of cocktails but by having a direct effect on an entire experience. Music, lighting and presentation are all important to me.”

ABOUT THIS PHOTO
After a few semesters of going through the Photojournalism program, I was having trouble finding my niche. Then I started PJ 333, our studio lighting class, and within a few weeks I figured out what I really wanted to do with my photography. Portraits came easy to me, and I loved working with different subjects and being able to show them the finished product.

The way John spoke about his bartending career and how he felt about it inspired me to continue my ventures in photography. I had multiple moments where I didn’t feel like I was succeeding and wanted to quit, but thinking back on the conversation I had with John gave me the confidence to keep going.

Looking back on that 2:00 a.m. shoot with John at Mo’s House, I’m happy that I continued in my studies and stuck with it no matter how many times I wanted to give up. Every portrait I’ve made represents a moment that I was able to capture with my camera and share with the people around me. Without those moments, I would be a different person.

Katie Stratman

Covington, Kentucky | Photojournalism major, Digital Advertising minor

INTERNSHIPS

  • National Senior Games, Albuquerque, N.M

Taveion Hollingsworth celebrates after taking the lead over Arkansas in overtime. Western Kentucky University triumphed over the previously undefeated Arkansas team 86-79 on December 7, 2019, in E.A. Diddle Arena.

ABOUT THIS PHOTO
I started working with the WKU Athletic Department my sophomore year of college. Basketball season at Western is definitely one of my favorites. The atmosphere in Diddle Arena is special, especially when playing an SEC opponent like Arkansas, which was undefeated until the team came to Bowling Green.

I remember walking into the stadium that night a little nervous but very much excited to see how the game was going to unfold. This picture was taken in overtime and it enabled Western to take and keep the lead. I was sitting the furthest away from the basket, trying to capture the emotion on Hollingsworth’s face over everybody in front of me. My heart and mind were racing a mile a minute throughout the entire game.

I love to capture the reaction shots in any game, as any expression can tell a story.

Silas Walker

Portland, Oregon | Photojournalism major, Digital Advertising minor

INTERNSHIPS

  • Lexington Herald-News, Lexington, Ky.
  • Deseret News, Salt Lake City, Utah

Malik Staples of the Western Kentucky University Hilltoppers sprays water while celebrating a victory against the University of Alabama Birmingham Blazers on September 28, 2019, at Houchens L. T. Smith Stadium in Bowling Green, Kentucky. The Hilltoppers and Blazers went back and forth, tying the game in the third quarter, but the Hilltoppers were able to stop the Blazers and add a touchdown in the fourth quarter to win the game. The Hilltoppers went on to have an 8-4 season and win the 2019 First Responder Bowl game against the Western Michigan Broncos.

ABOUT THIS PHOTO
I was working the WKU vs. UAB football game for Getty Images. It had been a long night, with both teams scoring back and forth. When WKU finally took the lead in the fourth quarter, I could tell the team was going to go crazy, so I rushed to put myself in front of the student section where I knew they would run to celebrate. The team did rush over and celebrate. I saw some players grabbing the opposing team’s water bottles and start spraying water everywhere, so I just started making pictures.

When I looked at this image while running back to the workroom, I was so happy one image worked out from the celebration. This image really helped my confidence because I had known where the right place was, when the right time was and I was prepared to document the moment.

Hayley Watson

Louisville, Kentucky | Photojournalism major, Digital Advertising minor

Alexis Watkins, a Western Kentucky University student from Louisville, Ky., is a student leader for the university’s Intercultural Student Engagement Center (ISEC) Academy. ISEC is a Western Kentucky University initiative/program to assist students who identify as students of color, and/or who are first-generation college students, Pell Grant eligible and have some need for assistance with their transition, persistence and graduation from Western Kentucky University. Watkins credited the academy for playing such a huge role in her college experience thus far.

ABOUT THIS PHOTO
This photo was the first time that I learned that you can make studio-quality photos outside of the studio. It was the first time that the power of a quiet moment and nice lighting really clicked for me.

Due to the nature of the lighting assignment we were given – show up at DSU and there will be a 5-10-minute time limit with each student who comes to you – I wasn’t really able to “research” my character or the idea before we began shooting, so I showed up knowing that I was going to have to be personable and likable if I wanted to take a photo that shared the essence of who Alexis was.

During our photo session, I asked her if she had brought anything that was special to her, and that’s when she pulled out her rosary beads and we started talking about faith and belief systems. I went in thinking this was an assignment only teaching me how to use camera lighting equipment, but in actuality I left feeling more confident as a photojournalist.

Posted in: Photojournalism Projects Class, Student Work, Through Our Eyes

The Making of “These Days”

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The 2020 PJ433 Projects class on the last day as they used Zoom to present their final project “These Days” to our Professional Advisory Board, Justin Fowler, Leslye Davis and Cara Owsley. Photo faculty and staff Jeanie Adams-Smith, Jonathan Adams, James Kenney and Miranda Pederson were also present in on the class.

 

In a socially-distant approved Slack exchange, PJ436 Projects in Photojournalism professor Tim Broekema interviewed These Day’s student project manager Nic Huey about how the idea germinated and how did the class ultimately engage in what became a powerful project where not one member of the photo class actually picked up a camera but yet, used every ounce of their visual training to make this story become a reality.

 

What inspired you and your classmates to pivot to a team project?

Shortly after receiving the news that WKU would be transitioning to online classes, I knew the second half of our last photojournalism class would be a bit different. Emily Moses and I were discussing ideas about how to document people’s experiences as this unfolded.  We knew that the situation was incredibly dynamic; our feelings, as well as everyone else’s, were changing daily, sometimes even hourly. We had considered at first trying to tackle it on our own, but knew that to get a wide scope of voices we would need to enlist the help of others.  I think within 24 hours I had reached out to you to get that ball rolling. 

Did you have a vision in place as you started or did the project change along the way?

That may have been one of the most challenging aspects of the project.  We knew that the most important thing was to start gathering content as soon as possible and to continue to interview the same people as the situation unfolded in order to capture the emotional rollercoaster we were all on.  New interviews came in almost daily, and the target shifted with each update.  I can remember hopping off Zoom calls feeling confident in our direction and plan, only to be derailed within days by new news about the virus or technical limitations with our workflow. Then it was back to the drawing board, shifting our ideas to better present the content that was coming in. The vision was a moving target, but so was the virus, so it felt fitting honestly. 

There were 13 people involved in this project, and the professor – and you all could not meet in person, did you ever have a moment where you felt this was a bad idea – and it stood no chance in getting done?

The work from home approach came with many pros and cons. On the one hand, it was easier to work on our own time, but that came with the consequence of struggling to keep everyone on the same page. We all met together once a week on Zoom, but I would say most of the progress was made on everyone’s own schedules. I felt like our lives pretty much existed between Zoom, Slack, and Frame.IO at times, especially towards the end. I knew it would get done, it was just a matter of how stressful it would be in the final days. 

Did you feel that in some way, the quarantine brought about a new level of opportunity for learning?

Personally I would say this was the greatest learning experience of my college career. We were forced to adapt overnight to new circumstances and develop remote workflows, coordinating an effort between 13 people that involved new tools that many of us had never used. I think it was great preparation for the journalism and production worlds as well, and for any industry for that matter; work from home will be the new normal for millions of people. I can’t say that I’m glad our semester ended this way, but we all learned to overcome new obstacles and are better off for it. 

Did you feel the project was successful?

I think that we achieved our goal. I think there are definitely things that we would approach differently given another opportunity, but that’s how the learning process works. We were able to try new things with this project and experiment with new ways of storytelling which was a lot of fun. I think the stories and experiences of our characters came across in a really authentic way and I feel like we can all see ourselves fitting right into this story in some way or another. At the end of the day, I would say we all walked away with a project that we can be proud of.

VISIT THESE DAYS to see the entire project

Posted in: Photojournalism Projects Class

Before I go

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In her personal project Before I Go, WKU senior Morgan Hornsby examines her relationships with her immediately family as she reckons with her decision to move away. With rural Kentucky as her landscape, Hornsby explores themes such as intimacy, longing, and the desire to create a new life.

My mom and I get ready for my grandmother’s funeral on April 21, 2020 in Albany, KY.

 


ABOUT THIS PROJECT

I am from a place where leaving is betrayal. For all my life, my family has lived in a small town in Eastern Kentucky. This has been true for generations. It is a place of tradition, where families build houses next to each other and gather on Sunday for post-church dinners.

Everybody knows everybody and nobody goes too far from home. In my girlhood, I didn’t dream of marriage or family as much as creating my own interesting life. I grew up happily, but with a map on my wall.

This work was made the year leading up to my graduation from college. It is meant to be an examination of what I’m leaving behind, looking closely at my connection to my family and our connection to the land. This work is also a question mark as I examine the life I have, holding it up to the light of all that I want. To see the entire project, click here.

Posted in: Photojournalism Projects Class

All In My Head

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In her personal project, In My Head, WKU senior Lydia Schweickart, of Louisville, Ky., reflects on her experience recovering from a traumatic brain injury and how it affected her mental wellbeing, the people she loves, and the path of self-discovery that it provoked.

 

ABOUT THIS VIDEO

In March of last year, I was in a car wreck and suffered a severe Traumatic Brain Injury. I received medical attention for 10 weeks: 1 week in the ICU of Skyline Medical Center, 2 weeks at Frazier Rehabilitation Institute, and 7 Weeks attending Frazier Outpatient Therapy. After the wreck I found myself in the hospital, not knowing why, lost and confused. The recovery process involved having to relearn everything that I knew before the wreck; Walking, Eating, Writing, Fine Motor Skills, Communication, Memory, etc. Having a sense of identity is an essential part of the human experience, and the car wreck stripped me of that identity.

Although my brain tissue has recovered, I will still always question whether a trait, a lapse in memory, slow reaction time, etc. are the result of something related to the car wreck. Because my brain has suffered this damage, I’ll never be the same person I was before the TBI, so it’s like I’ll never “fully” recover. When I started my recovery process I was a blank slate, learning and gathering information about who I was before and trying desperately to be that person again. One of the biggest obstacles was coming to terms with the fact that being that person again isn’t an option for me.

Accepting that I will be forever changed helped me to stop mourning the Lydia lost in that intersection. Recovery became a way to learn more about the Lydia I am now. Even though I have changed, the support of my family and loved ones never did. I didn’t have to go through this exploration alone. Having a traumatic brain injury is like rewriting who you are, and my car wreck provoked an identity crisis that forced me to ask myself, “Who Am I?”

One year after the accident, I’m still figuring out who I am and am in no rush to find the answer. To see the entire project, click here.

Posted in: Photojournalism Projects Class

These Days: A 2020 Senior Class Project

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A multimedia enterprise that captures the emotional journey Americans have collectively experienced during the early stages of the coronavirus pandemic. This project aims to highlight how the universally shared experience of grief deeply connects those who would otherwise be strangers.

THESE DAYS TRAILER

To see the entire project, please click here

 

ABOUT

For the last four years at Western Kentucky University we’ve sat through literally hundreds of photojournalism program lectures about  telling powerful and personal stories through the lenses of our cameras. We’ve been taught that great stories come from talking to people on the street and sharing moments with people in their homes. In the middle of our last semester we were completely stripped of those tools. As a class, each of us were deep into the production of our capstone projects; for many of us they would be the highlights of our careers at WKU.

With the finish line in sight, we were thrown an unprecedented curveball. We’d obviously heard about the virus, but we took for granted the potential it had to disrupt our lives. We left campus excited for spring break, saying “see you later” instead of “goodbye”. Just like that we were locked down and our finish line moved impossibly out of sight. “What now?” Was on everyone’s mind but in no time discussions began on a group project to document the evolving crisis.

This was a learning experience for all of us. We learned how to connect with people through our webcams. How to tell stories about life and humanity through the lens of someone else’s iPhone. Without ever touching our cameras, we collected stories from people across the country. Without ever meeting in person, we collaborated digitally to storyboard, produce, and edit a project with dozens of unique voices. We put into practice perhaps the most essential skill we’ve learned; how to adapt and overcome.

Now we look towards the future. Searching for work in an uncertain job market, moving away from the college town we’ve all called home, no chance to say goodbye to our favorite diners and dive bars. A more bitter than sweet final semester, to say the least. Through all of the ups and downs of these days, there is one thing that helps us get through. When someone asks in 20 years what we did during the COVID-19 pandemic, we can show them how we all overcame our historic circumstances. 

Posted in: Photojournalism Projects Class

WKUPJ winners 2020 Eyes of History – White House News Photographers Association

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Congratulations to WKU Gabriel Scarlett the 2020 Student Still Photographer of the Year for the White House News Photographers Association annual photography and video competition.

Michelle Hanks 2nd place in Feature: Long Term Video Project. A video project  she documented during her semester abroad at the Danish School of Media.  Her story is about Mahmoud Bayragdar,who fled the Syrian civil war and is trying rebuild his life in Denmark.

 

Posted in: Class Work, Contest Winners, Photojournalism Projects Class, Student Work

2019 Capstone Senior Projects

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Here at WKUPJ, we are excited to present a collection of the 2019 PJ436 Projects course final thesis. Students complete their photojournalism curriculum by enrolling in a semester-long instructional “workshop” that provides individual guidance and hands-on practical experience in producing a story that covers a topic of their choosing.

 

Life After Death

How grief forever changes a life

BY KATHRYN ZIESIG

Death is the one certainty everyone will one day have to face. However, when facing the death of a person you love, the grief can change your life forever. This documentary explores three stories of loss and chronicles the difficulties and years of heartache that come with the death of a loved one.

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For The Love of Jude

After a tragic accident, Katii Bishop searches for a new normal

BY ABIGAIL DOLLINS

Katii Bishop, a mother of four, copes with loss after the tragic death of her daughter from a car accident on December 28, 2018. The accident has left Katii searching for what life looks like without her daughter, Jude. Katii realizes, though, that although time moves on, the grief doesn’t necessarily get easier.

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High Hopes

Two stories of people in Kentucky who devote their lives to help those struggling from addiction in a state hit hard by the opioid crisis

BY KENDALL WARNER

This project brings together two sides of the opioid crisis in Kentucky. A personal story and a story about the epidemic on the frontlines accompanied with data on the epidemic in the state of Kentucky and resources for addicts and their families. The personal story is about Nikki Arnold-Strunck who lives in Richmond, Kentucky. Nikki lost her son, Brendan Strunck, to a heroin overdose when he was 24-years old. Now she travels around Kentucky to places like recovery centers and jails sharing their story and how his overdose effected her in hopes that she can change peoples lives. The story shares how she continues to cope with the loss of her son three years later and uses her story as part of that. The story on the front lines is through the eyes of members of the Louisville Fire Department about the multiple overdose calls they run on a daily basis, in a State hit hard by the opioid crisis.

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Spokes in the Wheel

Finding a balance between being competitive and having fun is something John and Jenny Lachowicz strive for as they raise their three sons Sam, Jacob, and Van, through BMX

BY EVAN MATTINGLY

In Clarksville, TN., the Lachowicz family are finding their roots and planting a plentiful garden. While juggling homeschooling, racing, and social interaction, bicycles bring this family closer in ways that cannot be explained but only witnessed. A wheel cannot spin without each spoke, much like a family cannot function smoothly without each member. Each individual, pulling and pushing at times, but always together in the end. The rambunctious family of 5, hold each other accountable and look at every day as a new day to make it a great one. This journey is far from over and they do not plan on stopping anytime soon.

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Revolving Doors

How a jail in rural Kentucky is working to break the cycle of addiction and recidivism

BY SKYLER BALLARD

In a state with the second highest incarceration growth rate in the country, Butler County Jail is seeing the direct effects of incarceration for addiction. In an effort to break the cycle of recidivism, the local jail is focusing on rehabilitation, offering many programs for inmates who want to start their road to recovery while serving time.

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A Mother’s Choice

Women across Kentucky fight for the legal rights of midwives

BY MHARI SHAW

In the state of Kentucky, midwives are not legally allowed to attend a home birth due to laws that have not been updated since 1975. Practicing midwives are put into a system that does not recognize the work that they are and have been doing for years. On March 13, 2019 senate bill 84 an act relating to Certified Professional Midwives, passed through the House and the Senate.

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Leaving a Mark

Accepting the spots that make them unique

BY EBONY COX

Spreading awareness about vitiligo in hopes that if someone sees another person who has it and looks different, they will be accepted instead of treated differently. Vitiligo is a skin condition that causes the loss of pigment in blotches. It can affect the skin on any part of the body regardless of age, race, or gender.

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Bound By Love

Defining the word family may be a hard task for some, but for Ashley Purcell, family is defined by one thing; love

BY KELSEA HOBBS

After having two children of her own and living a comfortable life with her small, but content, family, Ashley felt that something was missing. After talking with Scott and her two children, John and Ava, Ashley and her family collectively decided that what they were missing was an opportunity to share the wonderful life they had built for themselves. After being made aware of the foster care system in their community through their church, the Purcells decided the best way to share their lives with those in need was to become foster parents.

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To Be Like You

International students work to find their place in an American Society

BY TYGER WILLIAMS

Students at Geo International High School work to become more than just seen as an international, but to be someone like you. They seek to be successful in life, language, and learning to develop who they are in this diverse world.

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Just a Regular Joe

It’s not easy being a man. It’s especially not easy being a transgender man active duty in the US Army

BY JOSEPH BARKOFF

Follow Nic Maloney’s journey through finding himself and finding love. Stepping off the ledge, past the point of no return, transgender people, once certain steps are taken, there is no going back. Maybe he sometimes wishes he was born a man, but he wouldn’t be who he is today, and with who he is today. He has no regrets, and wouldn’t change a thing. “Even though it sucked.” It is not a cookie cutter life, or love. He met his wife when he was a woman. His wife identifies as a lesbian, after spending most of her life believing she was straight. To everyone on the outside, they appear as a straight couple. For her, she struggles with Nic’s identity taking the front, but feels she needs to protect him, so they don’t always tell new people the whole story.

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Within Our Border

The Southern Border creates conflict between two countries, a president, and migrants seeking asylum

BY MICHAEL BLACKSHIRE

The Southern Border has been a hot button issue in American society in recent years. The project is a news piece which focuses on how the southern border affects society in recent years. The project does not focus solely on an individual, but is more of the bigger picture of how society functions between the United States and Mexico. The idea of the southern border between the 2006 Border fence Act and President Trump saying “Build that wall” in front of thousands of supporters shows the growth of the southern border fence; and how many asylum seekers every year wait for their claim. Within our borders, our society creates a conflict between two countries within the same continent.

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Posted in: Photojournalism Projects Class

Our 2019 Senior Single Photo Exhibition

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At the end of the semester, we ask our capstone PJ436 students to select one photo that means the most to them from their time here at WKUPJ and to tell us something about the image. Obviously, it is a powerful thing to graduate from our program – we could not be more proud of this year’s seniors.

 

ABIGAIL DOLLINS

Paducah, Kentucky | Photojournalism major; Political Science minor

INTERNSHIPS

  • The Paducah Sun [Kentucky]
  • The Chautauquan Daily [New York]

Katii and Kyle Bishop inform their daughter Hannah that her younger sister, Jude, had died a few days after a tragic car accident they were in. The three sisters, Hannnah, 9, Norah, 7, and Jude, 5, were in a December 28, 2018 car accident. The tragedy resulted in them being transported to multiple area trauma centers and treated for life threatening injuries. Taking her health into consideration, Katii and Kyle decided it would be best to wait until Hannah made enough progression before telling her the news on Feb. 7, 2019, at the Frazier Rehab Institute.

ABOUT THIS PHOTO

On Feb. 7, 2019, I drove to the Frazier Rehabilitation Institute in Louisville, Ky., to meet Hannah for the first time. As Katii paced anxiously and then laid down on the hospital bed, I knew what was about to happen. Katii had discussed with me earlier in the day that it was time to tell Hannah about Jude. The hospital room was quiet and sterile as Katii carefully began to ask Hannah questions like “Do you know about heaven and angels?” I stood there looking through my viewfinder with tears rolling down my cheeks. In that moment, I had to find the balance between knowing I had a story to tell and feeling the pain of what was happening in front of me.

I made this image not long after I began my journey with the Bishop family. It never ceases to amaze me when someone allows me the opportunity to document the most intimate moments of their life. This is the most difficult and meaningful image I have ever made. I have laughed with this family; I have grieved with this family. Over the course of my time spent with the Bishops, I have realized that sometimes being a photojournalist means picking up the camera to document a situation that’s unfolding in front of you, and other times it means sitting with people and being an ear to listen and a shoulder to cry on. I will forever be grateful for what the Bishop family taught me about storytelling as well as what they taught me about myself.

 

 

EBONY COX

Gainesville, Florida | Photojournalism major; Criminology minor

INTERNSHIPS

  • Gainesville Sun [Florida]
  • Lexington Herald-Leader [Kentucky]
  • Indianapolis Star [Indiana]

Lashay Brooks, 24, of Louisville, Ky, wears her African head wrap on April 22, 2018. “That wrap is an escape from not having to do my hair or my wig. I can dress it up, put make up on and still be confident without my hair being done. I can be me, a black woman,” she said.

ABOUT THIS PHOTO

This picture means a lot to me, it was taken in my advanced lighting class which helped me come to the decision to own my own portrait studio. Through the process of taking this image, it taught me how to blend background colors in order to highlight different skin types. Taking this photo helped me get out of my comfort zone by experiencing a different aspect of photography, fashion photography. It taught me the ability to be able to tell a story about an object instead of a person. With learning that, there are many more doors and opportunities that could be opened just by knowing a little more.

 

 

KATHRYN ZIESIG

Nashville, Tennessee | Photojournalism major; Entrepreneurship minor

INTERNSHIPS

  • West Brentwood Living [Tennessee]
  • St. Louis Review [Missouri]
  • The Post and Courier [South Carolina]
  • The Flint Journal [Michigan]

Jimmy Gayton stands and applauds as Zandrina finishes singing “Rise Up” during the Emanuel 9 Rally for Unity on Saturday, June 23, 2018 in Marion Square. Gayton’s sister-in-law was Myra Thompson, one of the nine victims in the Emanuel AME shooting in 2015.

ABOUT THIS PHOTO

On an extremely hot Charleston, S.C. day I went to this assignment while interning at The Post and Courier. I was sitting in front of the stage making images of the people in the crowd as one of the singers preformed the song “Rise Up.” The entire rally was filled with so much emotion and by the time she started singing I was tearing up while trying to keep taking pictures.

One of my favorite things to capture in images is raw emotion. Whether that is extreme joy or sadness, I always strive to capture those in a picture. One person in particular caught my eye that day, a man standing up front was pouring his heart out while singing along. As he sang, it almost looked like he was screaming to the sky while tears ran down his face.

Sometimes it is hard for me to make these images because it feels like I am intruding on a private moment, but after making this image and talking with the man I found out his sister-in-law was one of the people who died in the Emanuel AME shooting in 2015 and he was more than happy to talk to me about it and give me his name. He even thanked me as I left. After this I realized that while some images might be hard to take, the people in them sometimes just desperately want to tell their story and have people understand what they are feeling. I think that’s why I love this image so much, because I realized I am capable of being the photojournalist I want to be and produce work that can connect people.

 

 

KELSEA HOBBS

Elizabethtown, Kentucky | Photojournalism major; Entrepreneurship minor

Martha Emmons, 63, of Paducah lies back on her bed to put on her shoes while getting ready for work with her husband, Hutch Smith, 67. Martha and Hutch own BikeWorld, a bike shop, which they opened together in Paducah in May 1987. With the shop’s 30th anniversary approaching this coming May, Martha says, “It wasn’t until we were about to have our 20th year that we thought ‘Huh, I think we’re going to be pretty successful in this.'”

ABOUT THIS PHOTO

As photojournalists, there is absolutely nothing like cultivating a meaningful relationship with the subjects that allow you into their lives. Personally, I feel like I have succeeded as a photographer when the relationship with my subjects progresses to the point where I am allowed to be a part of quiet, intimate moments in their lives. In this image, I feel like I achieved that special kind of relationship with the Emmons’. In this moment it was like I wasn’t even there. We were so comfortable with one another that it was nothing for me to be in their bedroom while they got ready in the morning. That is special. Although I might not remember the images that I made during this story, I will always remember the time spent getting to know Martha and Hutch and the connection I made with them. This is why I do what I do, because ultimately it isn’t the images you walk away with, it’s the relationships.

 

 

JOSEPH BARKOFF

Santa Rosa, California | Photojournalism major; Journalism major; Military Science minor

INTERNSHIPS

  • US Army; Fort Knox [Kentucky]
  • 101 Airborne 2 Battalion Combat Team; Fort Campbell [Kentucky]
  • Deb Dawson Equine Photography [California]
  • Discoveries West [California]

WKU Army ROTC Cadet Tom Pelkey, from Rochester, Minnesota, prepares to open the contents of his MRE (meals ready to eat) while taking shelter with his battalion-mates at Training Area 14 on April 14, 2018 in Fort Knox, Ky. A lightning storm descended over the area while Cadets conducted a platoon sized ambush lane. Luckily the Army had tents setup within range of retrograde movement. The tents would house close to 10,000 Cadets as they move through TA14 in the upcoming summer training. WKU Cadets, once a semester, travel to the base Army Cadet Summer Training Advance Camp is taught in Fort Knox, and conduct FTX (field training exercise). All Cadets under contract to be commissioned in the Army as 2nd Lieutenants must first pass Army Advanced Camp, often attended in the summer between junior and senior year.

ABOUT THIS PHOTO

This was my fourth of a final six FTX’s I was privileged enough to be allowed on while earning my degrees at Western. I was in the Navy when bellbottoms were still issued, and originally had no idea I was going to be a journalist when I went back to school in 2013. One of the three people who set me on the path to become a full package journalist, Thomas De Alba, died 29 days short of his 28 birthday this past week.

What started as just a class in photography, has turned into three collegiate degrees. Everything I have seen and done has prepared me to be a journalist. Because of Thomas, the other co-editor in chief, Nadav Soroker, and Anne Belden our professor, I came to WKU to pursue a degree in photojournalism. When I got to WKU I was told my photo work was “not even good enough to get the job done.” Thanks to WKU PJ, I have improved and hope to be able to cover troops as an embed journalist for a national news source. I would prefer to work as a civilian for a civilian company to better protect my sources, the troops, instead of being a PAO or otherwise government employee.

 

 

KENDALL WARNER

Woodbridge, Virginia | Photojournalism major; political science minor

INTERNSHIPS

  • Fairfax County Fire and Rescue Department [Virginia]
  • Victoria Advocate [Texas]

Ellen Estill plays with the youngest cat she has in her home at the time who she calls Wild Man. He was found sick and injured in the road. Ellen took him in, got him veterinarian care, nursed him back to health, and has found a new home for the eight-week-old kitten. “They’re part of my family, I love every one of them,” says Ellen. 

ABOUT THIS PHOTO

This photo is from my second time participating in the photojournalism portion of the Mountain Workshops in Mt. Sterling, Kentucky in October of 2018. I was ecstatic when I drew a slip of paper with the keyword “kitty” on it out of the hat and the description said 35 cats. I met Ellen that day and immediately bonded with her over our mutual love for cats, coffee, chocolate, and what she was doing for these cats who may have gone without a home otherwise.

Ellen runs Kitty Lodge Inc., a retirement home for elderly cats. She takes in cats whose owners have passed away or have become too old to care for them. She even sometimes takes in younger cats because she of course would not turn one away.

“It’s just something that I’ve always wanted to do,” Ellen said. “I feel like God put on my heart that it was a service that needed to be done.”

Ellen is 71-years-old and returned to work as a veterinary assistant solely to provide for the cats. Recently Ellen was awarded a grant from the Doris Day Animal Foundation to help with the cost and care of providing for her cats. As part of the application for the grant, my photo story on Ellen was submitted alongside and helped secure the grant for her. While I was in town for the workshops, Ellen and I started off every morning together by sipping coffee and eating Honey Bunches of Oats. I was even in town for her birthday and we had a wonderful dinner at a local restaurant. Stopping to see Ellen on my way back home from school is always the highlight of my journey and I am always sad to say goodbye. Ellen and this story will forever hold a special place in my heart. Ellen and I are very similar in many ways which can be encompassed by this quote, “When I die,” Ellen says, “I want to come back as some crazy nuts cat just like me.”

 

 

EVAN MATTINGLY

Nashville, Tennessee | Photojournalism major; Creative Writing minor

INTERNSHIPS

  • Philmont Scout Ranch [New Mexico]
  • The (Owensboro) Messenger Inquirer [Kentucky]
  • WKU Football Videographer [Kentucky]
  • Kertis Creative [Kentucky]

Jockey Jose L. Ortiz rides the number 9 horse Yoshida as he beats out Beach Patrol (10)ridden by Joel Rosario during the 2018 Old Forrester Turf Classic at Churchill Downs in Louisville, KY.

ABOUT THIS PHOTO

The Kentucky Derby has always meant something to my family so when I was asked if I wanted to go and shoot the illustrious event I could not pass up the opportunity. Working for Dan Dry, a derby veteran, was nothing short of unforgettable. The freedom he granted myself and the other classmates that were on the team let me stretch my eye and try new things with my camera. The motion blur that you see in this picture was one of about 40 takes between multiple races.

I enjoy looking at life like I am traveling at light speed and that I am always moving forward. Some days it is not always like that but as long as I have this image, my life keeps moving and changing. In order to grow, I believe you need to take chances and always know that moving forward is the best direction. I have been told I like to take chances with my photography and this is a prime example of when taking a chance, timing, and position, all come together and a frame is filled with something exciting.

 

 

MHARI SHAW

Louisville, Kentucky | Photojournalism major; Digital Advertising minor

INTERNSHIPS

  • Waterstep [Kentucky]

Mary Duke, mother of two, comforts her youngest child while cleaning her home in Alvaton, Ky. Duke is a co-president of the Kentucky Home Birth Coalition, which is a social media platform that provides space for women to get involved in the midwife community. Duke owns My Sunshine Birth Services, which helps women in Bowling Green and surrounding areas with multiple services including pre and postpartum visits, lactation consults and labor.

ABOUT THIS PHOTO

I feel like everything I had learned in the program brought me to this moment inside Mary Dukes home. I woke up the morning of March 3, 2019 and headed out to the home of a woman I had been longing to meet for 6 months. I had spent countless hours and interviews talking to women in the community, where I was always asked the same question “Have you talked to Mary Duke?” Mary Duke is one of the leaders of the midwife and doula community in Bowling Green, Kentucky. Imagine my frustration, I was working on a project where I had not had contact with the main character of my story. As a freshman, I learned how to find your story. As a sophomore I learned the importance of character, as a junior I learned patience. All of these lessons brought me to Mary Dukes’ door. I was welcomed inside and instantly felt like I had known her and her family for years. This photo of her comforting her child in her kitchen, a small detail of her life, reminds me of my journey through this program, something I will never forget.

 

 

MICHAEL BLACKSHIRE

Louisville, Kentucky  | Photojournalism major; Film major; African-American Studies minor

INTERNSHIPS

  • The Center for Gifted Studies [Kentucky]
  • Las Vegas Review Journal [Nevada]

Patrick McGee Jr. holds his younger brother Arqueil Clark and Mother Aretha McGee as they made a makeshift memorial with a teddy bear and balloons tied to a liquor bottle, and spend the night in tears, remembering the highlights of LeeAndrew’s life before being murdered at the age of 26 at the Dino’s Gas Station in the Westend of Louisville. This day, they commemorate the one-year anniversary since his murder on March 28th, 2017. As nightfall brightens up the gas station lights, the McGee family place a teddy bear and balloons in LeeAndrew’s memory, of someone they lost way to soon. “I don’t even like going by Dino’s anymore. They killed Breezy. Watch the teddy bear we put down in the front of Dino’s be gone by tomorrow,” Patrick McGee Jr. said.

ABOUT THIS PHOTO

This picture means the world to me. During my time as a photojournalism student at WKU I have not seen a photo that showed black pain in the inner city like my photo has. That’s what I wanted to accomplish when I started my ‘broken branches’ project. I wanted a person in a different state to see the struggle my hometown of Louisville is going through. The photo almost didn’t happen. I didn’t have a car at the time so I had to catch a Greyhound bus back and forth from Bowling Green to Louisville as I worked on the project. I was originally taking photos of a balloon sendoff commemorating the one-year anniversary of LeeAndrew McGee’s passing at a local park in the Westend of Louisville but my bus was delayed so I had some extra time with the family.

My project up to that point was conversations and portraits. But this was the first time I was actually seeing first-hand the pain a black family in Louisville was going through. There was real pain there.

Upon arriving at the gas station, the family put down a teddy bear and a bunch of balloons tied to a liquor bottle were LeeAndrew was murdered. Two friends smashed two liquor bottles and screamed in anger over his passing. The moment happened so quickly. By the time I decided to take a close up of Patrick McGee Jr., his tears were almost gone and the hugging moment became more somber. Within five seconds of the image being made the mother said “let’s go.” In these five minutes, I experienced more pain and suffering than I have ever seen from any other photo I took before. I went home that night thinking I can’t believe that happened, I can’t believe I experienced that. The photo received an award of excellence in COPY but I was just happy a black student’s photo from his hometown could show black pain in Louisville. I love my black people and I love Louisville and that moment is dedicated to anyone lost by gun violence in the city.

 

 

TYGER WILLIAMS

Louisville, Kentucky | Photojournalism major; Sociology minor

INTERNSHIPS

  • Interlochen Center for the Arts [Michigan]
  • Milwaukee Journal Sentinel [Wisconsin]
  • Philadelphia Inquirer [Pennsylvania]

Officer Charles Irvine Jr., 23, lies in the hearse as he is escorted by the Milwaukee police department and saluted by the Milwaukee fire department as he passes beneath the American flag over N. 9th St. on Fri. June 8, 2018. It has been 22 years since an officer died in the line of duty in Milwaukee, Wis. On June 7, 2018, Officer Charles Irvine Jr., died in a car accident while in pursuit of a reckless driver. His partner lost control which caused the squad car to flip 20 times before landing on its roof.

ABOUT THIS PHOTO

It was a Thursday night when I received a phone call from the director of photography, Berford Gammon, of the Milwaukee Journal Sentinel, telling me about a death of a police officer. He needed me and fellow WKU student Chris Kohley, to go down to the medical examiner’s office to capture photos and videos. We showed up and the whole street was filled with police officers waiting to hear of any news. After that night, I was sent to cover a press conference with the Chief of Police.

I was told that the image I’m capturing would be running center A1. It was a nerve-racking feeling, but I felt confident in my ability to create a strong image. I showed up early to scout an area I wanted to set up to capture the image. I knew I needed to get the hearse driving underneath the flag, so I got down onto my stomach and pointed the camera up hoping for the best to get everything in frame. If it weren’t for WKU Photojournalism I wouldn’t have known to show up early, stay late, or how to compose a photo, get close, step back and try new angles. This image is a constant reminder of how far I have come in this program.

 

 

SKYLER BALLARD

Bloomfield, Kentucky | Photojournalism major; Criminology minor

INTERNSHIPS

  • Philmont Scout Ranch [New Mexico]
  • Chesapeake Bay Program [Maryland]
  • The Denver Post [Colorado]
  • The Los Angeles Times [California]

A portrait of my grandfather, Bennie Goff—or Pop to us grandkids—on our family farm in Bloomfield, Kentucky.

ABOUT THIS PHOTO

I was born and raised on my family’s farm in rural Kentucky, where I was fortunate enough to experience all that a kid can on farm—space to run and ride horses, a love of nature, and the type of motivation that can only come from being surrounded by the hard labor it took from my family to keep a farm running. Of course, I took all of that for granted for most of my childhood, until my aunt gave me my first camera. She taught me to take pictures on our farm, where we would practice aperture and shutter speed by photographing chickens and cows. I came to love photography then, the way it made me love where I was from and want to keep it with me in photographs. This photo is of my grandfather, Pop, taken for a project in picture stories class. I credit so much of my creativity to him and to the farm he has kept alive for all of us. Without it, I may never have found my passion for photography and I certainly would not have done so well on my intro to photojournalism class egg picture.

 

 

Posted in: Class Work, Photojournalism Projects Class

Embody – by Srijita Chattopadhyay

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She had the life others could only dream of, a career as a musician in the music city – Nashville, Tennessee. She was talented, and she was beautiful. There was nothing that could stop her rise to stardom. Although, at the end of the day in the solitude of her dressing room she would weep because she was born a ‘she.’

Posted in: Photojournalism Projects Class, Through Our Eyes, Web Narratives

2018 Capstone Projects

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We are excited to present an exhibition of the 2018 PJ436 Projects class, WKUPJ’s capstone course.

 

Arms to Embrace

A short documentary about protecting the ones you love in the face of a school shooting

BY SRIJITA CHATTOPADHYAY and SILLE VEILMARK

Two women in Western Kentucky embark on a journey to spark a change in the mindset of their community, in the face of recent school shootings. Their motive – to protect the ones they love.

 

Journey to Pascha: Cultivating a Love for Christ

BY ABBY POTTER

At Holy Apostles Orthodox Church, three community members make their way through the seasons of Great Lent and Holy Week, pursuing their goal of cultivating love for Christ in their hearts and their homes. Jackson struggles to create a new framework of belief for his family. Jeanette faces her inability to control the faith of her children. Father Jason struggles to balance his spiritual fatherhood with the demands of being a husband and a dad. This short documentary explores what it means to lose and gain faith and family.

Great Lent is the 40 days leading up to the annual ritual reenactment of Jesus’s last days called Holy Week.

Pascha is the Eastern Orthodox name for the celebration of Christ’s resurrection from the dead, called Easter in western Christianity.

 

 

Unexpected Strength

Stories of adversity, inspiration and second chances through the eyes of athletes

BY BROOK JOYNER

What do a college student, stay-at-home mom, swim coach, visually impaired high schooler and mentor for underserved children have in common?  This project explores the stories of five different athletes beyond the court. It dives into their individual motivations, challenges, and the role athletics plays in their respective lives.

SEE MORE

 

Searching for Hope

America’s most beautiful small town has some secrets.

BY ABBEY TANNER

Over the past few years, Bardstown Kentucky has had several unsolved crimes, including the disappearance of Crystal Rogers. After the sensational news stories slowed down, America quickly forgot about the mystery of this small town. However, the pain of Crystal’s disappearance is no less real for the people still searching for hope.

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Love as steady as a rock

A father’s love powers him to care for his son

BY LORA SPARKS

Larry Cushenberry, 74, is a retired Health teacher who has Parkinson’s Disease. Larry’s case of Parkinson’s affects his posture, walk, balance, and hand movement. Cushenberry was diagnosed six years ago and Parkinson’s has been detrimental to his health. Despite Cushenberry’s diagnosis, he is the main caregiver and legal guardian to Greg Phillips, 48, his nephew, who he refers to as his son. Larry’s health hinders him and soon he won’t be able to care for Greg.

 

Surviving in Hell

How diabetes affects people’s lives.

BY JODI CAMP

Have you ever seen someone out at a restaurant stick a needle in their finger or give themselves a shot? Do you know someone who carries an insulin pump with them everywhere they go? Diabetes has become more prominent in recent years, yet no one seems to realize how deeply it affects those diagnosed. It is something they live with and think about daily.

SEE MORE

 

 

Cada día por Dios (Every day for God)

Inside La Luz del Mundo and the expansion of Hispanic evangelicalism

BY JENNIFER KING

On the corner of Clay Street and West 12th Avenue in Bowling Green, Kentucky, the Light of the World church (Iglesia La Luz del Mundo) towers above the surrounding neighborhood buildings. The church has become a cultural hub for the local Hispanic community through festivals and activities. Through their work at the church and a nearby taquería, tortilleria and tienda – all of which are owned and operated by the church – members of La Luz del Mundo hope to serve the community through faith and spread the word of God.

SEE MORE

 

Posted in: Photojournalism Projects Class, Student Work