As leaves fall annually the Mountain Workshops draw a team of dedicated teachers and determined learners to a small Kentucky town, where together they explore the richness of community, the beauty of landscape, and the possibilities and challenges of visual storytelling. In 2009 the gathering place for the 34th workshops is Murray, Ky., in Calloway County.
The Photojournalism Workshop focuses on still photography, as coaches and participants explore individual character, the give and take of relationships, the deeply-felt sense of belonging to a place and the pride of participating in a shared heritage.
The Picture Editing Workshop draws on the design sensibilities and electronic publishing expertise of its coaches to help participants learn to weave photographs and text together into memorable narratives.
The Multimedia Workshop challenges participants to gather still images, record sound and shoot video, and then use cutting-edge digital and online tools to spin all these threads into stories that captivate.
Photojournalism Project students publish team effort on music of the Bluegrass.
Enjoy this multi-media journey through some of the stories in our region as twenty-five students worked together on this team project for a mid-semester exercise on group projects and storyboard development.
WKU Faculty member Tim Broekema produced this documentary in conjunction with Maine Media Workshops promoting the power of continuing education.
Over the last 35 years, the Workshops has influenced thousands of people – many of them in life-changing ways. When asked what was the most important part of their experience, some talk about the spectacular beauty of the environment, others praise the excellence of the programs, the world-renowned faculty or state-of-the-art equipment. Many respond by acknowledging the staff and their dedication to creating exceptional experiences. The comment received most often, however, reflects what is created when all these essential elements coexist: an appreciation for the ability to completely immerse oneself in one’s art and become part of a community passionate about creativity.
There are many different programs at the Workshops. Some concentrate on lab or studio work where others involve field trips to view the enchanting scenery. What they all have in common is an opportunity to remove oneself from the demands of everyday life and join a passionate community committed to learning a new skill or improving one’s work. While discussions of theory, history and criticism may be part of any workshop, what sets these workshops apart is a dedication to making. Students learn by doing, by trying new things, by seeing what works and what doesn’t.
Besides the programs themselves, there is no shortage of other opportunities for growth at the Workshops. Whether waking before dawn to catch the early morning light, attending after dinner gallery shows or screenings of work from some of the world’s finest artists, or working into the night on projects or assignments, the Workshops experience is intense and all encompassing. It affords the participant the opportunity to live one’s passion 24/7.
Full days are punctuated with hearty meals served under the eating tent or in the dining hall. This is a time for informal discussions with classmates and faculty as well as to meet other people at the Workshops involved in related programs. The spirit of sharing that permeates the community destroys any pretense and breaks down barriers of age and experience. Participants end their rich days at any of a wide variety of accommodations both on- and off-campus.
The week’s end is capped by a traditional Maine lobster dinner complete with corn on the cob and baked potatoes (alternative choices are always available). The campus community then usually gathers in the sound stage to celebrate the week’s hard work. Expertly produced presentations premiere the creations of each week’s workshops. It is amazing to see the quality of what can be accomplished with such intense energy in just one week’s time!
Portrait photographer Gregory Heisler to speak at WKU’s Mass Media and Technology Hall.
Gregory Heisler, us a New York-based photographer who is renowned for his technical mastery and thoughtful responsiveness. His enthusiasm, curiosity, and drive are manifested in his hands-on approach to all aspects of the image making process.
His iconic portraits and innovative essays have often graced the covers and pages of many magazines, including Time, Life, Geo, Sports Illustrated and The New York Times Magazine. He has also photographed advertising campaigns for clients such as American Express, Merrill Lynch and Nike.
Heisler will be speaking at Mass Media and Technology Hall at Western Kentucky University on Thursday April 9th at 8:30pm. He is sponsored by Canon USA.
Faculty member recognized in NPPA BOP web category.
Faculty member Tim Broekema and former WKU student Mark Osler worked together during the Democratic National Convention in the fall of 2008 telling stories for AARP Bulletin Today.
Osler gathered content in Denver and transmitted his pictures and audio back to WKU where Broekema worked on deadline overnight producing multi-media projects that were posted on the AARP web site within hours after the close of each nights activities.
This particular project was noticed by the judges at the NPPA BOP contest and was awarded a 2nd place in the “Unde” category for audio slide shows that documented the road to the White House.
WKU’s Carl Kiilsgaard Wins Clif Edom’s “New America Award”.
ST. PETERSBURG, FL (March 25, 2009) – Student photojournalist Carl Kiilsgaard of Western Kentucky University has won Cliff Edom’s “New America Award” in the National Press Photographers Association’s Best Of Photojournalism competition today during judging at the contest’s host site, the Poynter Institute for Media Studies.
“Wow,” Kiilsgaard said when he was called with the news. “I was just walking out of class! That’s great!”
Kiilsgaard won the Edom Award for his long-term documentary essay on some families living in Whitesburg, KY. They are the sons and daughters of coal miners and have grown up dealing with the problems of living in impoverished eastern Kentucky, where it is growing more difficult these days to find steady work and to raise their children. Read more ….
Photo by Carl Kiilsgaard, Story by Donald Winslow
The “Mountain” tentatively finds its new home for 2009 workshop.
Faculty members and staff have made a couple of trips this spring to Murray, Ky., sight of the 2009 Mountain Workshops. Just last week we toured Murray State University’s basketball stadium, a possible location for the headquarters. While looking thru one of the storage closets we ran across this sign. Seems to me that the photo gods are speaking to us and telling us where we need to be.
In the meantime, put Oct. 27 – Oct. 31 (Nov. 1 if you are in the picture editing workshop) on your calendar to attend this year’s workshops. We will begin taking applications soon. Check in often at mountainworkshops.org/apply for application updates, prices and for a list of this year’s faculty.
Highlights: Student’s work from the Projects in New Media class.
Seniors in the Projects in New Media class, a capstone course, produced stories that provide thought provoking story telling using multiple forms of media to produce mini-documentaries. Click on the images below to see their stories.
Lexington Herald-Leader photojournalist visits WKU Photojournalism Projects class.
David Stephenson, a WKU photojournalism graduate, spoke to the Photojournalism Projects class on Thursday, February 19. Stephenson, last years POYi winner of the best multimedia project, shared his knowledge and expertise of a working photojournalist at the Lexington Herald-Leader. He also spent a great deal of time discussing the pros and cons of Canon’s 5D MarkII camera. He presented his latest project, Road to Recovery, to the two classes.
Photo by Tim Broekema
Getty is now accepting applications for $5,000 student grants.
Getty Images believes that photojournalism is a powerful tool for telling compelling social, political and cultural stories. Getty also understand that creating and managing world-class photography assignments requires time, freedom, support and considerable resources.
Since 2005, Getty have awarded five Grants for Editorial Photography annually to professional photojournalists. Each grant provides $20,000, plus editorial, logistical and promotional support. We also award four student grants of $5,000 per year to photojournalism students at accredited schools.
Professional award applicants must be currently engaged as a professional journalist and apply as an individual. This grant will fund new work from both established and up-and-coming photojournalists.
Student award applicants must be under the age of 30 and currently enrolled in photojournalism courses at an accredited college or university.
For more information and guidelines please visit:
http://imagery.gettyimages.com/getty_images_grants/overview.aspx or contact us with questions about our Grants for Editorial Photography at grants@gettyimages.com.
Deadline: May, 15, 2009
Photo by David Gillanders • 2008 professional recipient