Author Archives: Tim Broekema

A RECURRING SERIES

In a recent email interview, Demetrius Freeman, a 2014 WKUPJ graduate, shares personal experiences while at WKU and the life that followed as a staff photographer for the New York City mayoral office and eventually becoming his own boss. You can see his current work at www.demetriusfreeman.com and be sure to follow him on Instagram @demetrius.freeman.

 

Where were you born and what high school did you attend?

I was born in Atlanta, Georgia and I attended Lakeside High School.

Is there an interesting story that brought you to WKUPJ or photojournalism in general?

In 2004 when I was a Junior in High school, my best friend’s parents invited me to a family trip in Pensacola, Florida. During the trip my best friend’s dad, Randy, had a point and shoot (Canon Powershot) camera that I was curious about. I had never used a digital camera so he showed me how it worked. For the rest of the trip, I took pictures and kept filling up the memory card, returning it to him and going back out again. A year passed and he came across the photos I took and thought I had a unique eye for capturing emotions and people so, for my senior graduation gift, he gifted me a Canon AE-1, two lenses, a flash, and a camera bag. 

After high school, I attended Gwinnett Technical College in Lawrenceville, Georgia where I learned more about photography and digital imaging. The program was designed to introduce students to film photography, digital photography and all the different aspects of photo: architecture, product, portrait, and photojournalism.

The more I photographed, the more intrigued with storytelling I became and this led me to attending the Atlanta Photojournalism Seminar. At the seminar I noticed a trend. The majority of the photographers who placed in the contest were from WKUPJ.

When did you start attending WKU and what year did you graduate?

I started WKU in 2010 and graduated in 2014.

Immediately after graduation I …

Immediately after graduation I took a vacation trip to Copenhagen, Denmark, Rome, Italy and Split, Croatia. I wanted to reset my batteries and prepare myself for my internship at the Tampa Bay Times. I then spent three months at The Tampa Bay Times before being hired as a full time photographer for The New York City Mayor’s Office under Mayor Bill de Blasio.

Who do you currently work for?

I run my own freelance company with the majority of my work is with The New York Times, Pro Publica, and The Huffington Post.

What economic decisions or creative process lead you to running your own business?

After 2 years of covering the mayor’s office, I felt that I had accomplished what I set out to do and that I had learned a lot. I wanted to return to journalism. I missed the creativity involved in journalistic work as well as the sense of connecting with a variety of people. Because of the state of the industry, starting my own business was the only route for accomplishing this in New York City.

 

Since graduation, tell us about some of the more interesting places or events you may have visited/photographed as part of your work being a visual storyteller?

This is a tough one to answer because I feel that I have been able to experience a lot of interesting places and events. I have covered the U.S. Open Tennis tournament, the World Series, and have taken photos of political candidates, presidents, parades, protests, and lots of feature stories.

One assignment that stands out is during the coverage of the U.S. Open Tennis tournament in Flushing, Queens, New York. I was in the pit behind the player receiving a serve from Serena Williams. Williams then served a 120 mph ball, which bounced right into my 600mm lens and knocked it out of my hands. The noise was so loud the ball girl asked if I was okay. Luckily, I had moved my face in time and the camera was okay. 

 

I see that you have been on the campaign 2020 trail, what has that been like from a visual storytellers perspective?

The campaign trail gives you a unique and interesting way of seeing the election. You are in the front seat, which gives you a chance to see how the candidates navigate their crowds and watching the energy of the voters. It also presents lots of fun challenges. Most campaigns are designed to present you with what the candidate and their staff want you to see or capture, so your goal is to seek images that are out of the norm for the event. For example, Joe Biden typically strays from the plan by leaving the stage and approaching voters while Pete Buttigieg will stick to the stage and linger in the space. You have to learn the person and work to get past the limitations to make unique images. 

In hindsight, is there anything you learned while in a PJ class at Western that has resonated with you now?

The most important thing WKUPJ taught me was the power of storytelling in photojournalism. Every story, no matter how small, is an important one. A good example of this is a feature story I worked on about how deeply segregated New York City schools are. This story was not happening in an extreme environment or a faraway place, but rather a poorly/badly lit small classroom in Brooklyn. Regardless, I stuck to the storytelling element and was able to create a POYi award-winning image.

What has changed in your professional plans from the time you enrolled at WKU until know? Did you ever expect to be where you are today?

I don’t think much has changed, except that I have more of an understanding of the industry. “While I didn’t foresee specific locations I would work in or positions that I would occupy, I did set two key expectations for myself: to maintain the quality of my photography and to keep my work ethic high.”

Do you have any immediate future work plans that you can disclose? What awaits you in 2020?

I have a few work projects related to the 2020 campaign and presidential race coming up later this year. I will continue to work on the trail with the democratic candidates up until the election.  

If you could have any “dream” freelance assignment what would that be?

To be completely honest, I feel like I am currently working on my dream assignment, covering the 2020 election.

What is your favorite memory from WKUPJ?

My favorite memory from WKUPJ is finishing a photo assignment and going into the photo lab in the evening to find everyone at their computers or with their cameras. I always found it fascinating to see how different everyone was yet how we all bonded together over photojournalism. I miss that feeling of togetherness and everyone pushing each other to improve. 

A RECURRING SERIES

In an August 26, 2019 email interview, Thomas Simonetti, a 2009 WKUPJ graduate, took a break from his busy schedule as the sport picture editor for The Washington Post and reminisced on his past and how WKUPJ set him up for his career in the photojournalism business.

 

Where were you born?

Well, I was  born in Long Island, N.Y., where I lived until Age 7. That’s when my family moved to sunny Tampa, Fla.

 

What High School did you attend?

I went to Brandon High School in a suburb of Tampa. Go Eagles.

 

How did you end up at WKU?

It was my last semester at The University of South Florida. I was getting a degree in mass communications, was the Sports Editor of the college newspaper, and was working as a freelance reporter for the (then) St. Petersburg Times (now Tampa Bay Times) and MLB.com.

One of my final classes, an elective, was Intro to Photojournalism. I got hooked! With enthusiasm, I took a (terrible) collection of photos to a photojournalist on staff at the St. Pete Times named Daniel Wallace for a critique. His advice: consider more school. He suggested WKU, where he has gone, and the rest is history.

 

Immediately after graduation I …

I started a six-month internship at the Dubois County (Jasper) Herald. It’s a special place. The small newspaper has a decades-long tradition of running a Saturday weekly feature, ad-free, across the first several pages. The vibe in this small town is midwestern and polite and the people really appreciate the way the paper tells the community’s stories. Getting that internship should be a priority for every photojournalism student.

Later I was hired as a staff photographer at the Midland Daily News in Michigan – a small-but-talented photo staff of three.

 

Who do you currently work for?

I am a staff photo editor at The Washington Post. My first three years here I embedded with the financial and politics teams, working with a small team of photo editors. Now I am the lone Sports photo editor. Before The Post, I worked at the New York Times on the Metro desk for a short stint.

What is it like editing and working with other WKUPJ’ers?

There are three dedicated sports photographers at the Post, and two of them are WKU grads: Toni Sandys and Jonathan Newton. I’ve worked with WKU alumni in almost every job and internship I’ve done. When I worked on the politics desk, I interfaced daily with photographer Jabin Botsford. There are multiple WKU grads at the New York Times. Former Midland Daily News photo editor Nathan Morgan (2.0) hired me on the staff there. I worked with WKU grad Krista Schinagl while interning at the Jasper Herald. We are everywhere.

 

Since graduation, tell us about some of the more interesting places you may have visited as part of your work being a visual story teller?

For me, the most interesting places were always behind the scenes of regular people’s lives. For instance, while at Western, I spent countless hours documenting the lives of a single mother of three named Dawn and her young family. I was with them in the evenings when they ate dinner and mornings getting ready for school. Literally, hours and hours of time was spent with them. Recently the mother reached out to me on Facebook. She told me that she was glad I was doing well and wanted to inform me that she was now married and happy and that all the kids were growing up.

Doing what we do, you become a part of people’s lives, and it’s really special.

 

In hindsight, is there anything you learned while in a PJ class at Western that has resonated with you now?

Another story I worked on at WKU, a man had both his legs amputated and wasn’t sure how long he had left to live. The assignment was to do a semester-long story on someone who was imminently facing death. Heavy stuff. A year or so later, he passed away and his family reached out to me for photos they could display of him at his funeral. It was the least I could do.

The work we do is important in ways we don’t realize when we are thinking about exposure, cleaning up backgrounds and looking for light. That’s something I never forget.

 

What has changed in your professional plans from the time you enrolled at WKU until know? Did you ever expect to be where you are today?

You learn pretty quickly there is no “normal path” in photojournalism, at least anymore.

On the first day of my first class at WKU, we were asked to write down a goal on an index card. The class was taught by James Kenney. I wrote “Work for The St. Petersburg Times.” Though I would have loved to be on staff at my home town paper, I’d say I landed at a pretty nice spot.

It would be way too long of a story to explain the winding path often filled with self-doubt that led me to the New York Times and now The Washington Post. The bottom line is you have to strive to be your true self in job interviews and with relationships you cultivate in your career.

Oh, and you also have to be extremely lucky.

 

Do you have any immediate future work plans that you can disclose? What awaits you in 2019?

Next up for me, a season of NFL live-editing at Washington Redskins games this fall. And perhaps Washington Nationals baseball playoffs (if they can continue on pace the rest of this season).

 

If you could have any “dream” freelance assignment what would that be?

More than anything, I look forward to a lifetime of documenting my son Gabriel’s life. He’s 17 months old and keeps me on my toes.

 

What is your favorite memory from WKUPJ?

Every morning, when possible, I’d wake up and meet my best friend Daniel Johnson at the Starbucks on Campbell Ln. We alternated who bought the New York Times. We’d sit there and drink coffee and read it cover to cover.

 

What advice might you give for anyone considering to pursue a career in the journalism industry?

Something that’s been on my mind lately, and something I tell emerging photojournalists, is that if you want to work in news it’s important to not post online anything that could be perceived as a bias. The New York Times recently published a story detailing efforts to comb the social media accounts of working journalists in a campaign to discredit the media.

Oh, and when you get a job, put money into available retirement accounts early. I am a dad now, so I’m obligated to say that.